Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
“How the inferior of the two drags the other down to his or her level;
how the cares of a family ‘breed meanness in their souls.’... They
cannot undertake any noble enterprise, such as makes the names of men
and women famous, from domestic considerations. Too late their eyes are
opened; they were taken unawares, and desire to part company. Better, he
would say, a ‘little love at the beginning,’ for heaven might have
increased it; but now their foolish fondness has changed into mutual
dislike.... How much nobler, in conclusion he will say, is friendship,
which does not receive unmeaning praises from novelists and poets, is
not exacting or exclusive, is not impaired by familiarity, is much less
expensive, is not so likely to take offence, seldom changes, and may be
dissolved from time to time without the assistance of the courts.”
Dr. Johnson, in a letter to Baretti, points out the difference between
Love and Marriage:
“In love, as in every other passion of which hope is the essence, we
ought always to remember the uncertainty of events. There is, indeed,
nothing that so much seduces reason from vigilance as the thought of
passing life with an amiable woman; and if all would happen that a lover
fancies, I know not what other terrestrial happiness would deserve
pursuit. But love and marriage are different states. Those who are to
suffer the evils together, and to suffer often for the sake of one
another, _soon lose that tenderness of look_ and that benevolence of
mind which arose from the participation of unmingled pleasure and
successive amusement.”
“Lose that tenderness of look!” Have you reflected that it is that
exquisite tenderness of look which chiefly fascinated you, and have you
not noticed that, as Johnson implies, married people rarely regard one
another with that look which constantly intoxicated them during
Courtship? For “beauty soon grows familiar to the lover, fades in his
eye, and palls upon the sense,” says Addison; or, as Hazlitt puts it,
“though familiarity may not breed contempt, it takes off the edge of
admiration.”
“With most marriages,” says Goethe, “it is not long till things assume a
very piteous look.” Raleigh: “If thou marry beauty, thou bindest thyself
all thy life for that which, perchance, will neither last nor please
thee one year.” Seneca: “Beauty is such a fleeting blossom, how can
wisdom rely upon its momentary delight?” Howells: “Marian Butler was at
that period full of those airs of self-abnegation with which women adorn
themselves in the last days of betrothal and the first of marriage, and
never afterwards.” Alexander Walker: “It looks as if woman were in
possession of most enjoyments, and as if man had only an illusion held
out to him to make him labour for her.”
Public-domain text, read in full here on John Shaqi.
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