Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
To close this chapter with a sweet, soothing concord—major triad, horns
and ’cellos, _smorzando_—it must be admitted that the Germans have one
ingredient of Romantic Love which all other nations must envy them. They
have one more thrill in the drama of Love, in the ascending scale of
familiarities, than we have, namely, the word _Du_, which is something
very different from the stilted _Thou_, because still a part of everyday
language. The second person singular is used in Germany towards pet
animals and children, between students, intimate friends, relatives, and
lovers. French “lovers” do not say _tu_ to each other till after
marriage, and even then they do not use it in public. But the German
lover has the privilege, as soon as he is engaged, of exchanging the
formal _Sie_ for the affectionate _Du_; and the first _Du_ that comes
from her lips can hardly be less sweet than the first kiss.
There is a game of cards, popular among young folks in Germany, during
which you have to address every one with _Du_ whom you otherwise would
have to call _Sie_, and _vice versâ_; cards have to be called spoons,
white black, etc. If there is a young man in the company secretly in
love with a young lady, you can always “spot” him by the eagerness he
shows to speak to her, and the fact that he always gets the _Du_ right
and everything else wrong; while she, strange to say, appears to have
never heard of such a thing at all as a personal pronoun.
ENGLISH LOVE
Concerning Romantic Love in England and America, there is less to be
said under the head of National Peculiarities than in case of the
continental nations of Europe, for the simple reason that almost
everything said in the pages on Modern Love refers especially to these
two countries. Anglo-American Love is Romantic Love, pure and simple, as
first depicted by Shakspere, and after him, with more or less accuracy,
by a hundred other poets and novelists. There is no lack of colour in
this Love—colour warm and glowing—but it is no longer a mere local
colour, a national or provincial peculiarity, but Love in its essence,
its cosmopolitan aspect; Love such as will in course of time prevail
throughout the world, when the Anglisation of this planet—which is only
a question of time—shall have been completed.
Public-domain text, read in full here on John Shaqi.
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