Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
In the case of the men it is possible that Sexual Selection occasionally
came into play, when early betrothals did not prevent it; for the old
Romans were too rational to anticipate the silly and criminal French
custom of bargaining for a bride before they had even seen her. In such
a case, if the bride was attractive, the suitor’s imagination, dwelling
on the fact that this vision of loveliness was to be his own,
exclusively, for ever, may have been warmed for a moment with something
very like romantic sentiment. But beauty in Rome, Ovid informs us, was
very rare—"How few are able to boast it!"—so that even with the men who
had a choice, Individual Preference based on Personal Beauty could have
been rarely exercised. And as for the women who had no choice, they may
have felt a temporary elation on first meeting their destined husbands;
but this feeling was merely the manifestation of a vague instinct,
comparable to the “love” which a bevy of modern boarding-school “buds”
show for the only man they are allowed to see regularly,—their ugly
teacher,—and the unreality and silliness of which they laugh at
themselves when they are at last allowed to meet the man of their own,
individual, free choice, who teaches them the feeling of real Romantic
Love.
VIRGIL, DRYDEN, AND SCOTT
Nevertheless, compared with Greek literature, the works of the Roman
poets show an advance in their conception of Love; for they avoid at
least the Hellenic confusion of love with friendship. Compared with the
best modern poets, however, who labour with the pure gold of Love alone,
the Roman poet’s productions still show much of the base ore from which
the modern gold has been extracted. It is interesting, in this
connection, to read what Dryden has to say concerning Virgil’s
conception of Love, and Scott’s comments on Dryden.
In his dedication of the _Æneid_, Dryden speaks of Book IV. as "This
noble episode, wherein the whole passion of love is more exactly
described than in any other poet. Love was the theme of his fourth book;
and though it is the shortest of the whole Æneis, yet there he has given
its beginning, its progress, its traverses, and its conclusion; and had
exhausted so entirely his subject, that he could resume it but very
slightly in the eight ensuing books.
Public-domain text, read in full here on John Shaqi.
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