crucis_ it was for a young woman to run the gauntlet of these clerical
departments if she had to ask some favour for the exiled husband.
[Illustration: STEPS OF THE CHURCH OF SS. DOMENICO AND SISTO
Above the steps of _Magnanapoli_ which lead from the Forum of Trajan
to the Quirinal hill. Their architect was Bernini. See page 231.]
But if they were unlettered and superstitious were the people in those
days better than now? The comparisons we sometimes hear urged are not
really fair for two reasons. There is to be found in Rome to-day among
the lower and the half educated classes all that want of moral
equilibrium which a revolution of ideas brings with it. Moral Italy
has yet to be made, as the moral unity of Italy is also as yet only in
the making. Before 1870, on the other hand, those who were faithful to
the standard then put before them, were faithful to what was never
better than a poor and low ideal of conduct, sentiment, and religious
duty. The papal standard required no refinement of feeling, no
education of the conscience: no one was scandalised that a shop should
display the barbarous notice "_Qui si castrono per la cappella
papale_," or that the popular story ran that when Guido Reni was
painting his picture of the Crucifixion before a living model attached
to a cross, he killed him at the last moment in his frenzy to see and
seize the death struggle, and fled the city; but that the holy father
had absolved him because, as you who go may see, it is a _capo
d'opera_. And the poor man killed to make a fine picture of Him who
endured death to teach us pity for each other? _Ebbene, poveretto_....
The pope is like Nemesis, like the blind forces of nature, like an
avalanche, a falling mountain, or an earthquake--not a moral force,
but a weight of authority. As you can see for yourself if you go to
San Lorenzo in Lucina the work is a _capo d'opera_ and the pope knows
better than you. Moral judgment is silent before the weight of
authority.
My narrator, who only wished to magnify a great picture, not to raise
a moral problem, always carried with him a paper blest by the pope,
and of extraordinary efficacy, that is it was Spanish and was covered
with writing, every corner had something pious in it, and no one who
carried it could die unabsolved. The proof was set forth in the blest
paper itself, for one man _did_ die unabsolved, they cut off his head
in fact; but the head was not to be brow-beaten, it simply went off to
the nearest town--and in these cases, as the witty Marquise du Deffand
said to Gibbon, _Ce n'est que le premier pas qui coute_--and found a
priest (what priest ever shows himself the least _deroute_ in such
circumstances?) who at once confessed the head, and there the matter
ended.
Public-domain text, read in full here on John Shaqi.
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