Cousins -- Fiction; English fiction -- 19th century; Short stories, English; Villages -- England -- Fiction
As if to confirm Eric in his determination there came a knock at the
door, and a boyish face peeped _in_. “Sorry, Hudson, if I’ve interrupted
business, but they told me the show was over, and I want Eric for supper.
By the way, you can come too, if you like. Andrews and Thorne are there
already, and have finished supper by this time, I expect. But there’ll
be some champagne and lobster-salad left for us.”
“Thanks, Lord Eastonville, I’ll come with pleasure, but I must first go
and quiet these lunatics. They’re roaring for Eric like a lioness robbed
of her cub.”
Ten minutes later the three were entering a room in Hope Square, so rich
in its decorations of china, tapestries, and antique bronzes that it
might have been transported by a slave of the lamp direct from Aladdin’s
palace, or have done duty for a catalogue of Roman luxury: “The
merchandise of gold and silver and precious stones and of pearls and fine
linen and silk and scarlet and all manner of vessels of most precious
wood and of brass and iron and marble and frankincense, and souls of
men.”
By the fire (for it was early in May) stood an oval table, covered with
old glass and silver in pleasant confusion. The fruit—a distinctive
feature—piled artistically in a ribbed basket of the Queen Anne period,
not disposed at the rate of four apples here, flanked by four oranges
there, after the fashion dear to the soul of the British householder when
he calls his neighbours to a feast.
The three new comers were greeted with a round of applause as hearty in
spirit as the cheer which had followed them from the hall.
“Why, Bindo, you’ve the very boy we’ve been longing for. We’ve finished
supper and used up our talk, and it’s too late for a theatre and too
early for bed. Singing will just fill the interval before cards.”
“Not a note from me, Thorne, till I’ve had some supper. I must clear my
throat from the dust of the hall with champagne first. Why you’re as bad
as the audience, who think that songs can be pumped out of one as easily
as you can get squeaks out of a gutta-percha doll.”
While Eric is better employed we can introduce the party.
Lord Eastonville, who owns the rooms, is a thorough gentleman of the
well-bred English type, with brains enough to carry him safely through
life—good-looking, generous, easy-going to a fault, and twenty-five. Too
fond, it may be, of taking his ease, as all well-to-do Englishmen are
now-a-days, but a man who could fight for his country, as in the old
Crimean times, when war galvanised our lethargy into life. War is no
unmixed evil; it carries with it a blessing in disguise. It is the scare
and shadow of war that is the curse without the blessing.
Thorne, as a minute in his company would prove to you, is a hard-headed
journalist; witty, and an excellent talker; facile, of course, with his
pen, and ready to turn out a new theology as easily as he could write an
article on the last discovered butterfly or grub.
Public-domain text, read in full here on John Shaqi.
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