Cousins -- Fiction; English fiction -- 19th century; Short stories, English; Villages -- England -- Fiction
Andrews is a graduate of London University, spending with Eastonville the
remnant of a holiday. Fairly humorous and incorrigibly deaf—never more
so (his friends say) than when a subject bores him—he is himself a trifle
of a bore to-night. In his latest translation of Vergil “ploughed with a
team” has become in the hands of the printers “ploughed with steam,” an
anachronism that pleases him mightily.
He is also sorely exercised over the term “Prolegomena,” used in
connexion with our classical editions. “Either the word’s bad Greek,” he
says, “or else it’s rank nonsense. ‘Things that are being said before’
means just nothing at all. What they want is a Perfect, ‘things that
have been said beforehand,’ which is not only more grammatical, but also
(he adds with a chuckle) much more descriptive of prefaces in general.”
“Well, I don’t understand Greek and Latin,” said Thorne, “so suppose we
talk English. I have been studying you carefully, Bindo, and have come
to the conclusion that you look highly picturesque among all that fruit
and flowers. I wonder what made you so good looking; was your father
particularly lovely?”
“Neither my father nor my mother, Thorne, though she _has_ contrived to
marry again; and the consequence is I’m not so well looked after as I
ought to have been, else I shouldn’t be here to-night. Fate, I think,
must have made a judicious blend of the best points in his face with the
best features of hers. And the result is me.”
“First class grammar, Bindo. She must have sent you to a good school at
any rate.”
“Anything else to ask, old man? You seem to be in an inquisitive mood
to-night.”
“Yes; who taught you to sing?”
“Le bon Dieu, I suppose, as Patti said. I had only the training of a
country choir boy. By the by, my master’s name was Thorne, a matter full
of interest to you. I believe I sang by intuition.”
“A Hamiltonian philosopher,” muttered Andrews, “only he has developed
theory into practice.”
“Anyhow, when your voice goes I shall put on mourning,” said Eastonville,
“not black, for I don’t believe in it. Purple’s the farthest I can go.”
“You may put on white or canary yellow, like a heathen Chinee, for all I
care.”
“Don’t lose your temper, Bindo.”
Public-domain text, read in full here on John Shaqi.
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