Turpin's attention, however, was chiefly directed towards his neighbor, the ruffler, in whom he recognized a famous impostor of the day, with whose history he was sufficiently well acquainted to be able at once to identify the individual. We have before stated, that a magnificent coal-black beard decorated the chin of this worthy; but this was not all--his costume was in perfect keeping with his beard, and consisted of a very theatrical-looking tunic, upon the breast of which was embroidered, in golden wire, the Maltese cross; while over his shoulders were thrown the folds of an ample cloak of Tyrian hue. To his side was girt a long and doughty sword, which he termed, in his knightly phrase, Excalibur; and upon his profuse hair rested a hat as broad in the brim as a Spanish sombrero. Exaggerated as this description may appear, we can assure our readers that it is not overdrawn; and that a counterpart of the sketch we have given of the ruffler certainly "strutted his hour" upon the stage of human life, and that the very ancient and discriminating city of Canterbury--to which be all honor--was his theatre of action. His history is so far curious, that it exemplifies, more strongly than a thousand discourses could do, how prone we are to be governed by appearances, and how easily we may be made the dupes of a plausible impostor. Be it remembered, however, that we treat of the eighteenth century, before the march of intellect had commenced; we are much too knowing to be similarly practised upon in these enlightened times. But we will let the knight of Malta, for such was the title assumed by the ruffler, tell his own story in his own way hereafter; contenting ourselves with the moral precepts we have already deduced from it. Next to the knight of Malta stood the whip-jack, habited in his sailor gear--striped shirt and dirty canvas trousers; and adjoining him was the palliard, a loathsome tatterdemalion, his dress one heap of rags, and his discolored skin one mass of artificial leprosy and imposthumes. As Turpin's eye shifted from one to another of these figures, he chanced upon an individual who had been long endeavoring to arrest his attention. This personage was completely in the background. All that Dick could discern of him was a brown curly head of hair, carelessly arranged in the modern mode; a handsome, impudent, sun-freckled face, with one eye closed, and the other occupied by a broken bottle-neck, through which, as a substitute for a lorgnette, the individual reconnoitered him. A cocked hat was placed in a very _dégagée_ manner under his arm, and he held an ebony cane in his hand, very much in the style of a "_fassionable_," as the French have it, of the present day. This glimpse was sufficient to satisfy Turpin. He recognized in this whimsical personage an acquaintance.