"I moved outdoors and slept with the Indian. Your salad dressing is
excellent, Donovan, though personally I lean to more of the paprika.
But let us go back a bit to the Holbrooks. Omitting the lady, there
are certain points about which we may as well agree. I am not so great
a fool but that I can see that this state of things can not last
forever. Henry is broken down from drink and brooding over his
troubles, and about ready for close confinement in a brick building
with barred windows."
"Then I'm for capturing him and sticking him away in a safe place."
"That's the Irish of it, if you will pardon me; but it's not the
Holbrook of it. A father tucked away in a private madhouse would not
sound well to the daughter. I advise you not to suggest that to Helen.
I generously aid your suit to that extent. We are both playing for
Helen's gratitude; that's the flat of the matter."
"I was brought into this business to help Miss Pat," I declared, though
a trifle lamely. Gillespie grinned sardonically.
"Be it far from me to interfere with your plans, methods or hopes. We
both have the conceit of our wisdom!"
"There may be something in that."
"But it was decent of you to get me out of that Italian's clutches this
afternoon. When I went over there I thought I might find Henry
Holbrook and pound some sense into him; and he's about due, from that
telegram. If Miss Pat won't soften her heart I'd better buy him off,"
he added reflectively.
We walked the long length of the hall into the library, and had just
lighted our cigars when the butler sought me.
"Beg pardon, the telephone, sir."
My distrust of the telephone is so deep-seated that I had forgotten the
existence of the instrument in Glenarm house, where, I now learned, it
was tucked away in the butler's pantry for the convenience of the
housekeeper in ordering supplies from the village. After a moment's
parley a woman's voice addressed me distinctly--a voice that at once
arrested and held all my thoughts. My replies were, I fear, somewhat
breathless and wholly stupid.
"This is Rosalind; do you remember me?"
"Yes; I remember; I remember nothing else!" I declared. Ijima had
closed the door behind me, and I was alone with the voice--a voice that
spoke to me of the summer night, and of low winds murmuring across
starry waters.
"I am going away. The Rosalind you remember is going a long way from
the lake, and you will never see her again."
"But you have an engagement; when the new moon--"
"But the little feather of the new moon is under a cloud, and you can
not see it; and Rosalind must always be Helen now."
"But this won't do, Rosalind. Ours was more than an engagement; it was
a solemn compact," I insisted.
"Oh, not so very solemn!" she laughed. "And then you have the other
girl that isn't just me--the girl of the daylight, that you ride and
sail with and play tennis with."
"Oh, I haven't her; I don't want her--"
"Treacherous man! Volatile Irishman!"
Public-domain text, read in full here on John Shaqi.
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