Rose D'Albret; or, Troublous Times.James, G. P. R. (George Payne Rainsford)
History
Rose D'Albret; or, Troublous Times.
James, G. P. R. (George Payne Rainsford)
France -- History -- Henry IV, 1589-1610 -- Fiction
The priest listened without surprise, as she told him that Monsieur de
Chazeul had required that admission should be given him to her
mistress's chamber, at an hour after midnight. "He assured me," the
girl said, "that it is with Mademoiselle d'Albret's consent, but that
she did not like to mention it to me; and he added, that I was not to
speak of it to her."
"That was not right, for, I believe, it is not true," replied the
priest. "But what you have to do, is to ask Madame de Chazeul, and
follow her directions."
"Oh, if I am to do that," cried the girl, "she bade me already do
everything that Monsieur de Chazeul told me; but I thought it right to
come and ask you, father, that I might be quite sure of what I was
about."
The priest paused and hesitated; but, after several minutes' thought,
he replied, "I know not the circumstances, my daughter.--Doubtless
Monsieur de Chazeul has no evil intentions." And thus saying, he rose
and quitted the confessional, leaving Blanchette to draw her own
deductions and follow her own course.
The girl paused and pondered thoughtfully for several moments; then
shrugging her shoulders, she murmured with a low laugh, "Well, if he
sees no harm in it, what business is it of mine?" and, with this
comfortable reflection, she returned slowly to the château.
CHAPTER XXVI.
It was near midnight; all was quiet in the château; sleep seemed to
have fallen upon all eyes but those of the sentries upon the walls.
The wind sighed amongst the towers and pinnacles; the old oak
panneling creaked; and every now and then the screech-owl whirled with
its shrill scream past the windows; but those were the only sounds
that disturbed the deep silence of night, while the priest, in the
chapel, watched the body of the dead man, according to his promise.
The building itself was dark and gloomy; the tapers on the altar cast
their rays but a little distance beyond the coffin; and the light
faded away gradually into the deep obscurity of the other parts of the
chapel, while the large cluster pillars and the rich, sculptured
groins of the arches, caught the beams faintly as they darted towards
the vaulted roof, or strove to penetrate the aisles. It was a solemn
scene, and might well fill the breast with thoughts high and grave.
There lay the dead: the dust ready for the earth, the spirit returned
to God who gave it. There stood the altar, raised for the worship of
that God, and bearing aloft in the full light, the symbol of the
salvation which was purchased by the blood of His Son. Death,
immortality, and redemption, were prominent and clear before the eye,
while all round was obscurity, like the misty darkness of mortal fate
which wraps us, in this strange world wherein we live.
Public-domain text, read in full here on John Shaqi.
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