Rose in Bloom: A Sequel to "Eight Cousins"Alcott, Louisa May
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Rose in Bloom: A Sequel to "Eight Cousins"
Alcott, Louisa May
Cousins -- Fiction; Family life -- Fiction; Orphans -- Fiction
Three days later Mac said “good-bye” in earnest, and no one was
surprised that he left somewhat abruptly, such being his way, and a
course of lectures by a famous physician the ostensible reason for a
trip to L----. Uncle Alec deserted most shamefully at the last moment
by sending word that he would be at the station to see the traveler
off, Aunt Plenty was still in her room, so when Mac came down from his
farewell to her, Rose met him in the hall, as if anxious not to delay
him. She was a little afraid of another tete-a-tete, as she fared so
badly at the last, and had assumed a calm and cousinly air which she
flattered herself would plainly show on what terms she wished to part.
Mac apparently understood, and not only took the hint, but surpassed her
in cheerful composure, for, merely saying “Good-bye, Cousin; write
when you feel like it,” he shook hands and walked out of the house as
tranquilly as if only a day instead of three months were to pass before
they met again. Rose felt as if a sudden shower bath had chilled her
and was about to retire, saying to herself with disdainful decision:
“There's no love about it after all, only one of the eccentricities of
genius,” when a rush of cold air made her turn to find herself in what
appeared to be the embrace of an impetuous overcoat, which wrapped her
close for an instant, then vanished as suddenly as it had come, leaving
her to hide in the sanctum and confide to Psyche with a tender sort of
triumph in her breathless voice: “No, no, it isn't genius that must be
love!”
Chapter 19 BEHIND THE FOUNTAIN
Two days after Christmas a young man of serious aspect might have been
seen entering one of the large churches at L----. Being shown to a seat,
he joined in the services with praiseworthy devotion, especially the
music, to which he listened with such evident pleasure that a gentleman
who sat nearby felt moved to address this appreciative stranger after
church.
“Fine sermon today. Ever heard our minister before, sir?” he began, as
they went down the aisle together among the last, for the young man had
lingered as if admiring the ancient building.
“Very fine. No, sir, I have never had that pleasure. I've often wished
to see this old place, and am not at all disappointed. Your choir,
too, is unusually good,” answered the stranger, glancing up at several
bonnets bobbing about behind the half-drawn curtains above.
“Finest in the city, sir. We pride ourselves on our music, and always
have the best. People often come for that alone.” And the old gentleman
looked as satisfied as if a choir of cherubim and seraphim “continually
did cry” in his organ loft.
“Who is the contralto? That solo was beautifully sung,” observed the
younger man, pausing to read a tablet on the wall.
“That is Miss Moore. Been here about a year, and is universally
admired. Excellent young lady couldn't do without her. Sings superbly in
oratorios. Ever heard her?”
“Never. She came from X, I believe?
Public-domain text, read in full here on John Shaqi.
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