She was there in view when he got home, as if she had waited for him,
under a tree, trembled about by the summer green, her white dress
flickered upon by leaves. She was pale; her mouth looked piteous to him,
and his heart beat hard in championship. She half rose from her chair,
and let her unread book fall to the grass beside her.
There were two things Rose wanted very much to know: whether Electra had
shocked him out of his trust in her, and why her father stayed so long
in that visit to Osmond at the plantation. The last question was the
great one, and she asked it first.
"What can my father be saying to him?"
"Osmond? I don't know. Equal rights, labor, capital, God knows. Rose,
don't sit there. Please get up!"
She obeyed, wondering, brushed out her skirt and put her hair straight,
and then glanced at him.
"What for?" she asked. "What do you want me to do?"
Peter looked to her about eighteen, perhaps, nothing but youth and gleam
and gay good luck. She felt a thousand years older herself, yet she
loved Peter dearly. She would do anything for him. This she told herself
in the moment of smoothing down her hair. His face brimmed over with
fun, with something else, too. The seriousness that dwells housemate to
comedy was behind.
"I couldn't say it with you lying there and looking at me," said Peter.
"Nobody ever made a proposal to a lady in a steamer chair unless he was
in another and the deck was level."
"Peter," she said gravely, "don't make fun."
Peter shook back the lock of hair he encouraged to tumble into his eyes.
It was his small affectation. It kept him at one with his artistic
brotherhood.
"I am rejected," he said, and do what he might, he announced it
exultingly, and not in the least with the dignity he would have admired
in the lady who had refused him. But at that moment Peter had had enough
of dignity and the outer form of things. He wanted to be himself, light
or sad, bad or good, and speak the truth as the moment revealed it to
him. "But I am rejected," he continued, when she looked at him in a
quick reproof, "turned down, jilted, smashed into a cocked hat. And I
came just as quick as I could. Rose--"
"Don't!" she warned him. "Don't say that, Peter."
"Just as quick as I could get here without running--I couldn't run,
there were so many pretty things to look at--to tell you, to beg of
you"--Peter's voice broke. He was behaving badly to conceal how much he
was moved. "I came to offer it to you," he said seriously, in a low
tone. "Not what was given back to me, but something else, so much better
you couldn't speak of 'em in the same day. When I think of what might
be, it's all light and color--and the leaves of the wood moving. It's a
great big dream, Rose, and you fit into it. You fit into the dream." He
was intoxicated with youth and life. She was not sure whether it was
with her.
"I hope you haven't quarreled," she said soberly. She wished she might
recall him. "But if you have and are patient--"
Public-domain text, read in full here on John Shaqi.
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