"You will not let anybody in.... Nobody must come into my
room—Aspasia—Aspasia!"
"No, no! The door is locked. Darling, don’t be so frightened; how your
teeth chatter! Aunt, I promise you shall be left in peace. I will
watch. Can’t you trust me? They’d better not!" she added convincingly,
if vaguely.
The long convulsive shudders continued even after Baby had coaxed her to
bed, and piled the bedclothes over her. She sat a long while by the
sick woman, still rubbing the bloodless fingers, speaking soothingly
from time to time. But Rosamond herself spoke no more.
At last silence fell upon the Old Ancient House. Steps ceased to resound
along the echoing oak. Doors were definitely closed; even Lady
Aspasia’s pervading voice seemed to be hushed for the night. Then Lady
Gerardine suddenly turned to her niece with something of her old gentle
look:
"Go to bed, my child," she said. "Sleep, at least while you can. Your
little face looks tired!"
"I’ll sleep here with you, if you’ll have me," said Aspasia, kissing the
hand she held.
"No, no," said the other. "I must be alone. I shall have Jani, she
will watch. Good night."
Poor healthy Baby was in truth ready to tumble over with fatigue, and
had found her head, to her own fierce displeasure, nodding portentously
from time to time. She went forth with the uncertain gait of the
sleep-drunken, but paused at the door to give Jani minute and repeated
instructions, which the latter, vividly alert, received with undisguised
scorn. With much satisfaction the ayah re-entered her mistress’ room,
and locked the door upon her drowsy rival.
*CHAPTER XXI*
Aspasia awoke from a heavy dreamless sleep with a sense of panic. Her
heart was beating violently. She sat up in bed, listening eagerly,
through the hammering of her pulses.
It is the nature of such old haunted places as Saltwoods that they
impress you with their stillness by day and their stirring by night.
Then the old boards creak as if to the tread of forgotten steps; old
echoes answer to voices long silent; there is a rustle down the narrow
passages as of garments the very texture of which is forgotten; there
are sighs in the night airs, and little cold blasts wandering round
corners, even on the stillest night. You tell yourself that it is the
crumbling brick and wood work setting ever a little more towards
destruction; but it seems rather as if the years-laden habitation had
acquired a sentient being of its own; that when, like the aged, it lies
wakeful in the night, the memories of the past come back to it; that it
laments, with sighs, lost life, lost mirth, lost dignity.
But Baby would at no time, have had, in her practical young mind, room
for such fancies as these; and now, the very real well-grounded fears
which were strong upon her lent every stealthy creak about her a hideous
material significance, every sighing breath the echo of a present
tragedy.
Public-domain text, read in full here on John Shaqi.
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