The life of Christopher Columbus.... It was bound in crimson calf, and
the gilt edges of its unopened pages clung crisply together.
She replaced it on the shelf and, with the same dreary mechanical
determination, drew forth another. The "Boy’s own Book"; a veteran,
this; from too much loving usage, dogs’-eared, scored with small grimy
finger-prints; its quaint woodcuts highly coloured here and there by a
very juvenile artist.
"To Henry English, on his ninth birthday, from his affectionate mother,"
ran the dedication, in a flowing Italian hand. A gift that had made a
little lad very happy, some twenty-five years ago.
And now Rosamond’s fingers hovered over the case of letters. Well did
her heart forebode whose missives lay treasured there. Nevertheless,
the sight of the handwriting struck her like a stab. Not yet could she
summon strength to read those close-marked pages. Nay—were they even
hers to read?
"Darling old Mammy—" this was not for her.
Yet she turned the sheets over and over, lingering upon them. Here was
an envelope, endorsed in the same fair running hand as the book: "My
beloved son’s last letter." And here, on a card, was gummed a piece of
white heather—memorial of God knows what pretty coquetry between the
stalwart soldier and his "darling old Mammy."
What things must people live through—people who dare to love!
Rosamond had never loved. Had she not done well? When love offered
itself to her she had been too young to know its face. And now.... She
dropped the case from her hands as if it burnt her, and stood, poised
for flight; then, as if driven by an invincible force, seized upon the
closed frame, almost with anger. Fate held her, she could not escape.
Harry English, looking at her! Not the child, not the adolescent, but
Harry the man as she, his wife, had known him. Even through the
incomplete medium of a photograph, the strong black and white of his
colouring, the bold line of his features, the concentrated purposeful
expression, was reproduced with an effect of extraordinary vitality.
It seemed almost impossible to think of him as dead who could look at
her so livingly from this little portrait.
* * * * *
Old Mary came in hurriedly.
"Here I am, ma’am, here I am! I heard you call."
Rosamond lifted dazed eyes. It took a perceptible space of time for the
meaning of the words to filter to her brain. Then she said with vague
impatience:
"I did not call."
"But you wanted me, surely," said the woman. Her glance wandered from
the portrait in her new mistress’s hand to the disorder on her old
mistress’s altar. "Surely you wanted me, ma’am."
Public-domain text, read in full here on John Shaqi.
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