Roses: Four One-Act Plays: Streaks of Light—The Last Visit—Margot—The Far-away PrincessSudermann, Hermann
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Roses: Four One-Act Plays: Streaks of Light—The Last Visit—Margot—The Far-away Princess
Sudermann, Hermann
German drama -- Translations into English
You really ought to try to become acquainted with her sometime.
Struebel.
No, no, no--and again no! As long as she remains my far-away princess,
she is everything that I want her to be--modest, gracious, loving. She
smiles upon me dreamily. Yes, she even listens when I recite my poems
to her--and that can't be said of many people! And as soon as I have
finished, she sighs, takes a rose from her breast, and casts it down to
the poet.--I wrote a few verses yesterday about that rose, that flower
which represents the pinnacle of my desires, as it were.
The Princess (_eagerly_).
Oh, yes. Oh, please, please!
Struebel.
Well, then, here goes. H'm--"Twenty roses nestling close----"
The Princess.
What? Are there twenty now?
Struebel (_severely_).
My princess would not have interrupted me.
The Princess.
Oh please--forgive me.
Struebel.
I shall begin again.
Twenty roses nestling close
Gleam upon thy breast,
Twenty years of rose-red love
Upon thy fair cheeks rest.
Twenty years would I gladly give
Out of life's brief reign,
Could I but ask a rose of thee
And ask it not in vain.
Twenty roses thou dost not need
--Why, pearls and rubies are thine!--
With nineteen thou'dst be just as fair,
And _one_ would then be _mine_!
And twenty years of rose-wreathed joy
Would spring to life for me--
Yet twenty years could ne'er suffice
To worship it--and thee!
The Princess.
How nice that is! I've never had any verses written to me b----
Struebel.
Ah, my dear young lady, ordinary folks like us have to do their own
verse-making!
The Princess.
And all for one rose!--Dear me, how soon it fades! And then what is
left you?
Struebel.
No, my dear friend, a rose like that never fades--even as my love for
the gracious giver can never die.
The Princess.
But you haven't even got it yet!
Struebel.
That makes no difference in the end. I'm entirely independent of such
externals. When some day I shall be explaining Ovid to the beginners,
or perhaps even reading Horace with the more advanced classes--no, it's
better for the present not to think of reaching any such dizzy heights
of greatness--well, then I shall always be saying to myself with a
smile of satisfaction, "You, too, were one of those confounded artist
fellows--why, you once went so far as to love a princess!"
The Princess.
And that will make you happy?
Public-domain text, read in full here on John Shaqi.
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