"I mean you don't object to the subject,--or Mr. Ryde?" says Olga,
kindly, unaware that Mr. Ryde has come away from the tea-table and is
now close behind her. Monica, however, sees him, and smiles courteously.
"Oh, no," she says, as in duty bound.
And then the fourth is found and grasped, and all trouble is at an end.
"_So_ glad I can now take my tea in peace," says Olga, with a sigh of
profound relief. "_Who_ would be stage-manager?"
"Ah! you don't do much of this kind of thing in Ireland, I daresay,"
says Mr. Ryde.
"What kind of thing?" asks Olga, sweetly, who doesn't like him.
"Tea-drinking?"
"No--acting--er--and that."
"I'm afraid I'm quite at sea about the '_that_,'" says Olga, shaking her
blonde head. "Perhaps we do a good deal of it, perhaps we don't. Explain
it to me."
("Awful stoopid people!--not a word of truth about their ready wit,"
says Mr. Ryde to himself at this juncture.)
"Oh, well--er--let us confine ourselves to the acting," he says, feeling
somehow at a loss. "It is new to you here, it seems."
"I certainly have never acted in my life," begins Monica; "but----"
Mrs. Bohun interrupts her.
"We are a hopelessly benighted lot," she says, making Ryde a present of
a beautiful smile. "We are sadly behind the world,--_rococo_"--shrugging
her shoulders pathetically--"to the last degree. You, Mr. Ryde, have
opened up to us possibilities never dreamt of before; touches of
civilization hitherto unknown."
"I should think in your case a very little tuition would be sufficient,"
says Ryde, with such kindly encouragement in his tone that Ronayne, who
is at Olga's feet, collapses, and from being abnormally grave breaks
into riotous laughter.
"You must teach us stage effects,--is that the proper term?--and correct
us when we betray too crass an ignorance, and--above all things, Mr.
Ryde," with an arch glance, "you must promise not to lose your temper
over the _gaucheries_ of your Dolly Varden."
"Whose Dolly Varden?" asks Desmond, coming up at this instant laden with
cups of tea.
"Mr. Ryde's."
"He is to be Hugh to Miss Beresford's Dolly," says Ronayne.
"Yes, isn't it good of Monica? she has consented to take the part," says
Olga, who is really grateful to her for having helped her out of her
difficulty.
"_Have_ you?" says Desmond, turning upon Monica with dilated eyes.
"Yes. Is that tea for me?" returns she, calmly, with great
self-possession, seeing that sundry eyes are upon her.
"For you, or any one," replies he. Tone can convey far more meaning than
words. The words just now are correct enough, but the tone is uncivil to
the last degree. Monica, flushing slightly, takes a cup from him, and
Olga takes the second.
There is a short silence whilst they stir their tea, during which Madam
O'Connor's voice can be distinctly heard,--it generally _can_ above
every tumult. She is discoursing enthusiastically about some wonderful
tree in her orchard, literally borne down by fruit.
Public-domain text, read in full here on John Shaqi.
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