"Tell me," he says,--some mad, inward craving driving him to ask the
needless question--"how would it have been with you if I had been killed
yesterday? Would you _in time_ have loved again?"
I am not sure, but I think he would have recalled the words when it is
too late. A quiver runs through the girl's frame; a great wave of
emotion sweeping over her face transfigures it, changing its calm to
quick and living grief. The moonbeams, catching her, fold her in floods
of palest glory, until he who watches her with remorseful eyes can only
liken her to a fragile saint, as she stands there in her white, clinging
draperies.
"You are cruel," she says, at last, with a low, gasping cry.
He falls at her feet.
"Forgive me, my love, my darling!" he entreats, "I should never have
said that, and yet I am glad I did. To feel, to _know_ you are
altogether mine----"
"You had a doubt?" she says; and then two large tears rise slowly, until
her beautiful eyes look passionate reproach at him through a heavy mist.
Then the mist clears, and two shining drops, quitting their sweet home,
fall upon the back of the small hand she has placed nervously against
her throat.
"A last one, and it is gone _forever_." He rises to his feet. "Place
your arms round my neck again," he says, with anxious entreaty, "and let
me feel myself forgiven."
A smile, as coy as it is tender, curves her dainty lips, as she lifts to
his two, soft, dewy eyes, in which the light of a first love has at last
been fully kindled. She comes a step nearer to him, still smiling,--a
lovely thing round which the moonbeams riot as though in ecstasy over
her perfect fairness,--and then in another instant they are both in
heaven, "in paradise in one another's arms!"
"You are happy?" questions he, after a long pause, into which no man may
look.
"I am with _you_," returns she, softly.
"How sweet a meaning lies within your words!"
"A true meaning. But see, how late it grows! For a few hours we must
part. Until to-morrow--good-night!"
"Good-night, my life! my sweet, _sweet_ heart!" says Desmond.
THE END.
Public-domain text, read in full here on John Shaqi.
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