He looked around him at the busy outer office, filled with haste and a
sense of the importance of its processes. There was more to it than
making money. That was the foolish, reforming-professor's idea of
"sordid business." You were in it, not because you wanted the money but
because it was the biggest game in the world, and it was fun to win
out. All right then. He _would_ win out.
But no matter how much time he put into his efforts to win out, there
was a lot of time left over. Neale did not succeed in filling that
leisure to his satisfaction. He went out more than he had ever before,
accepted invitations to dinner from all the married men in the office
and lunched with all the unmarried, and had them out for meals with him.
But still there was time left over. He went to the theater, to loud
hearty farces that made him laugh, at first; but they very soon seemed
all cut by the same pattern and he found himself sitting them out as
grimly and smilelessly as Americans read their comic supplements.
It was not that he was lonely because he was alone. Never in his life
had he found the slightest alleviation to loneliness in merely having
some one, any one, with him. The truth was that when he was alone he
fell to thinking. And he did not know what to make of his thoughts. They
mostly consisted of an answerless question, so answerless in the nature
of things, that it was foolish to formulate it--the same old question
you always ran into when you stopped to think, "what are you doing all
this _for_, anyhow?"
In football days that question had been silenced by the instant fierce,
all-sufficient answer, "For the team!" What was the present equivalent
of the team now? It looked remarkably like Neale Crittenden, all by
himself--not such a very big inspiring goal when you stopped to think of
it. The best thing evidently was not to do much stopping to think.
One evening unwarily he allowed something alarming to happen to him,
something worse than stopping to think. After a solitary dinner at
Reisenweber's he strolled along 59th Street, and, as it seemed too early
to go back to his room and he had nothing else to do that evening,
stepped into a concert at Carnegie Hall. He stepped in to get rid of a
few hours of his restless uneasiness and he came out so devoured by
restless uneasiness that he could not think of going to bed, but walked
up and down the streets for hours trying to forget the shouts of the
brass, the long sweet cries of the violins. They seemed to call his name
over and over ... to summon him out, up, to some glory ... little by
little they died away, leaving him in the same flat, inner silence as
before, hearing nothing but the banging clatter of the elevated and the
clang of the surface-car bells. A little before dawn he went back to
bed, exhausted. What sort of a life was this, anyhow?
Public-domain text, read in full here on John Shaqi.
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