She gave him a "good morning, Mr. Crittenden," that showed no surprise,
and with great tact began the talk on the only basis which gave him a
reasonable claim on her time. "You want to hear how somebody in Rome
knows about your great-uncle Burton, don't you? I'm afraid it's like so
many other things that sound mysterious and interesting. It will only be
quite flat and commonplace when you really know. It is no more than
this. When I was a little girl in America, and then later when I was in
college for a couple of years, I was sent to spend my summers in Ashley,
visiting an old cousin of my father's." She looked at him from under her
broad-brimmed blue hat, with a mock-regretful air, one eyebrow raised
whimsically, and made a little apologetic gesture with her shoulders.
"That's all," she said, smiling and shaking her head.
"Oh, _no_, it's not all!" Neale cried to himself with intense
conviction.
Aloud he said, "But I want to hear more about what kind of a place it
is. You see, to tell the truth, I'd forgotten that I had any Great-uncle
Burton. And I never was in Ashley. Think of being in Florence and
getting a letter saying that a saw-mill in Vermont has suddenly become
yours!"
"I should call it a most nice sort of surprise," remarked the girl with
a quaintly un-English turn of phrase which he had already noticed and
thought the most delightful thing in the world.
"And I'm on my way back to America now to see about it."
"What does that mean--to 'see about it'?" she inquired.
"Oh, sell it, of course."
She was horrified. "_Sell_ it? To whom?"
"Oh, to anybody who'll buy it."
"Sell that darling old house, and those glorious elms. Sell that
beautiful leaded-glass door, with the cool white marble steps leading up
to it, and the big peony-bushes, and the syringas and that cold pure
spring-water that runs all day and all night in the wooden trough. Sell
that home! And to anybody!" She paused where she was, looking at him out
of wide, shocked eyes. Neale was profoundly thankful for anything that
would make her look straight at him like that.
"But, you see," he told her, "I hadn't the least idea about that darling
old house, or the elms or the spring-water or anything. I never heard a
word about it till this minute. I think the only thing is for you to
start in and tell me everything."
As she hesitated, professing with an outward opening of her palms that
she really didn't know exactly where to begin, he prompted her.
"Well, begin at the beginning. How in the world do you get there?"
"Oh, if you want to know from the beginning," she told him, "I must tell
you at once that you change cars at Hoosick Junction. Always, always, no
matter from which direction you approach, you must change cars at
Hoosick Junction, and wait an hour or so there." Seeing on his face a
rather strange expression, she feared that he had lost the point of her
little pleasantry, and inquired, "But perhaps it is that you do not know
Hoosick Junction."
Public-domain text, read in full here on John Shaqi.
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