"Sure you could kill him--and in New York you can fire your
stenographer. What good would that do you? You couldn't get intelligent
service out of the next slave either, unless you had him educated to be
intelligent, and if you did that he'd be such a rare bird that you'd
save him for something better than standing around waiting for you to
clap your hands at him. He'd be running your business for you."
"Oh, pshaw, Crittenden, why be so heavy-handed and literal! Why
wet-blanket _every_ imaginative fancy?"
"Oh, I didn't realize you were imaginatively fancying," said Mr.
Crittenden, laughing. "I thought you were trying imaginatively to
reconstruct the life of ancient Rome. And I was trying to do my share."
They passed through dusky, ill-smelling passages, clambered over a pile
of rubble and stood in twilight at the foot of a long, steep, vaulted
stairway. Far up, like a bright roof to its obscurity, were green
leaves, blue sky, bright sunshine. All that sparkling, clear radiance
seemed to heighten the boyish fit of high spirits that had entered into
the usually rather silent Mr. Crittenden. He pointed up to the stairway
and cried, "From antiquity to the present! I'll meet you at the top!"
and off he went, bounding up the high, steep steps two at a time, as if
his vitality had suddenly swept him away in the need for violent
exertion.
When the two girls emerged later, "Ladies, allow me to introduce to you
the present day," he said, calling to their attention with a sweep of
his hat the dark, sumptuous green of the cypresses and pines, the
splendor of the golden-blue sky, the fresh sprinkled smell of the earth
on the shady paths. "Not so bad for poor little old actuality, is it?"
The girls sank breathlessly on a bench. Livingstone appeared, slowly
hoisting himself up the steps, one at a time, and puffing. Mr.
Crittenden walked around and around restlessly, as though that upward
swoop had been but an appetizer to his desire to let out the
superabundance of his strength. He looked, Marise thought, like a
race-horse fretting and pawing and stepping sideways. How could he have
that eager look in this dusty cemetery of human strength and eagerness?
Public-domain text, read in full here on John Shaqi.
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