She went through the corridor into the salon, and pulling the curtains aside, stepped into the alcove where her writing desk stood. But she had no intention of writing a letter. To whom? If she wrote what she really felt, there was nobody to understand her. She did not now, as had been her habit in the first days, go to the window and amuse an idle hour by looking down on the crowd below, the ox-drivers, the fish-women, the soldiers, the Spanish peddlers, all the bright-colored, foreign throng that had seemed to her like a page out of a book. Not for nothing had she lived four years in Bayonne! That first simple candor of hers was darkly dyed with new knowledge. She knew now that people talked about a woman still young enough to be desirable, who showed herself at an open window. She knew they talked, and she knew what they said. That hearsay knowledge had been sharpened by her gradual perception of the way certain men among the passers-by had looked up at her; and it had been driven deeply home one day, by one of those men. As she leaned out, her fair hair bright in the sun, a passer-by, a well-dressed man with a walking-stick in his hand, had stared hard at her, caught her eye, hesitated and looked again. Flora had not avoided his eye. Why should she? It was early in her life in the half-Spanish town. She did not fear men's eyes. When he saw this he turned and mounted the stairs to ring at the bell. Isabelle had let him in, not knowing him from any other caller. He stepped quietly to the salon, where the lady of the house, not dreaming that any one had entered, still stood before the window. When she turned in answer to a discreet little cough on his part, she had seen him standing there, hat in hand, waiting, with a singular little smile on his lips, a smile she never forgot. Oh, he had been perfectly polite, indeed quite desolated at having made a mistake, and had speedily bowed himself out of the place, apologizing gracefully to the moment of door-closing. But that very day, Flora Allen had the swathing lace-curtains put back in their original position, covering every inch of the glass; and when dusk fell, she was always the first to think of drawing the heavy damask curtains over them, so that there seemed to be no windows at all in the room. That seemed to her to express her life--no windows except these opening on what was physically sickening and coarse; no doors save those leading back and forth between the deadly familiarity of the imprisoning rooms. What was it she had not done which other women did to let them into the center of life, while she was exiled to the outer fringes? How was it that while other women's arms seemed to close about warm, living substances, hers grasped at shadows. Or did other women only pretend to be satisfied, for fear of facing the emptiness which echoed in her ears more and more loudly?