Rough Ways Made Smooth: A series of familiar essays on scientific subjectsProctor, Richard A. (Richard Anthony)
Science
Rough Ways Made Smooth: A series of familiar essays on scientific subjects
Proctor, Richard A. (Richard Anthony)
Science
Rather more than a quarter of a century ago two Americans visited
London, who called themselves professors of Electro-Biology, and
claimed the power of 'subjugating the most determined wills, paralysing
the strongest muscles, preventing the evidence of the senses,
destroying the memory of the most familiar events or of the most
recent occurrences, inducing obedience to any command, and making an
individual believe himself transformed into any one else.' All this
and more was to be effected, they said, by the action of a small disc
of zinc and copper held in the hand of the 'subject,' and steadily
gazed at by him, 'so as to concentrate the electro-magnetic action.'
The pretensions of these professors received before long a shock as
decisive as that which overthrew the credit of the professors of
animal magnetism when Haygarth and Falconer successfully substituted
wooden tractors for the metallic tractors which had been supposed
to convey the magnetic fluid. In 1851, Mr. Braid, a Scotch surgeon,
who had witnessed some of the exhibitions of the electro-biologists,
conceived the idea that the phenomena were not due to any special
qualities possessed by the discs of zinc and copper, but simply to
the fixed look of the 'subject' and the entire abstraction of his
attention. The same explanation applied to the so-called 'magnetic
passes' of the mesmerists. The monotonous manipulation of the operator
produced the same effect as the fixed stare of the 'subject.' He showed
by his experiments that no magnetiser, with his imaginary secret
agents or fluids, is in the least wanted; but that the subjects can
place themselves in the same condition as the supposed subjects of
electro-biological influences by simply gazing fixedly at some object
for a long time with fixed attention.
Public-domain text, read in full here on John Shaqi.
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