With Mr. Slapman he was not personally acquainted; but he had ascertained privately, from a musical frequenter of the house, who invariably brought his flute with him, and who was understood to be the oldest friend of the family, that Mr. Slapman owned a large property in wild land in Pennsylvania, not a hundred miles from New York; that he was improving it, and selling it out in building lots, and had already cleared a handsome fortune; that he was a strict business man, and looked after his affairs in person, passing between New York and Slapmansville (the name of the new settlement) twice a week, and spending the larger part of his time at the latter place. Also that, next to avarice, which was his crowning trait, his chief fault was jealousy. It galled him to think that his wife had obtained a settlement in bank from him before marriage, which enabled her to indulge her tastes for society; and it enraged him still more to observe how much she was loved and admired by others, when he had purchased her exclusively for his private love and admiration. He it was who was to be sometimes seen stalking through the parlors with a pale face, or running up and down the front staircase in a state of great nervous agitation. None of Mrs. Slapman's visitors had the pleasure of his personal acquaintance; and it was considered a point of good breeding not to allude to him in her presence. For this misguided man Fayette Overtop felt a real pity. He yearned to expostulate with him gently, as a friend. Taking Mr. Slapman's hand in his own, he would have said: "Your wife is a precious gift to the world. Seek not to check the outflow of her ardent nature. Thank Heaven that you are the custodian of such a treasure, not to be selfishly monopolized by yourself, but held in trust for the benefit of society." Overtop's meditations, on this particular occasion, pertained to the style of the costume which would most become him as the lover of Mrs. Slapman, in an original play to be enacted at her house toward the close of the week. The question was chiefly of knee breeches. Overtop was mentally debating whether he ought not, in justice to his thin legs, to substitute an ampler style of integuments. Matthew Maltboy had also been invited to this _soirée dramatique_ (as Mrs. Slapman's large pasteboards expressed it). A fat man was a necessity of the play. Mrs. Slapman was not cordial to Matthew, regarding him as an excessively commonplace person, and had invited him to her social gatherings out of courtesy to Overtop; but her artist eye saw in him a fitness for the fat man. Matthew was delighted with the implied compliment to those talents for the stage which every man supposes himself to possess in some degree, and cheerfully undertook the part.