Round the Block: An American NovelBouton, John Bell
General
Round the Block: An American Novel
Bouton, John Bell
City and town life -- Fiction; Male friendship -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
Never was request more cheerfully complied with. There was a scramble of
six or seven tall young men to each candle; and, at several of the
candles, a brisk but friendly struggle took place between rival
aspirants for the privilege. The room was then in total darkness, save a
small gleam which came through the partly opened door from a solitary
tallow in the entry, and the dull reflection of the panorama lights
through the curtain.
Some of the effects of this sudden extinguishment were extraordinary.
The female seminary all screamed slightly. The boys' school all laughed,
and several were heard to say, "Prime fun, a'n't it?" The railroad
conductor and his friends coughed fictitiously, and said, "Oh! oh!"
"A'n't you ashamed!" "Look out for pockets!" "Thief in the house!" and
other playful things, which put the entire audience in good humor. But
the strangest and most unexpected occurrence, was a grand rush, as of a
herd of wild bulls, on the stairs, accompanied by the dousing of the one
remaining light in the entry. Another moment, and over a hundred of the
choicest juvenile spirits tore into the hall, and knocked over each
other and everybody else in a frantic contest for free seats. The young
ladies' seminary screamed in concert, and all the elderly ladies cried,
"Oh my!" "Good gracious!" "What's that?"
"Only the boys," said Tiffles, with unruffled composure. "Let them come.
It is a moral entertainment, and will do them good."
After a pause of about three minutes, giving the boys time to seat
themselves, and the screams, mutterings, and laughter of the rest of the
audience to die away, Tiffles said:
"Now, ladies and gentlemen, I will introduce you to sunrise, in the
Bight of Benin."
This was the preconcerted signal for the raising of the curtain, which
office was performed by Patching, without a hitch. The gorgeous proem,
or introduction to the panorama, was then for the first time disclosed
to the public. Patching blushed as he thought of the vile pandering to
popular taste of which he had been guilty.
There was a dead calm for a minute. Tiffles was silent, in order that he
might not interrupt the quiet admiration of the spectators. The
spectators were silent, because they could not exactly understand the
scene, and did not know whether to laugh, hiss, or applaud. The silence
was broken, by a boy in the back part of the hall:
"I say, Mister, is that a cartwheel on top of a stonewall?"
"No, sonny not exactly," said Tiffles. "What your uneducated eyes
mistake for a cartwheel is the rising sun. The objects that your
immature judgment confounds with spokes, are rays. Your stone wall, it
is hardly necessary to inform riper intellects, is a distant range of
mountains. It is one of Ceccarini's happiest efforts."
"Hurrah for Checkerberry!" cried another lad, mistaking the name of the
high (imaginary) Italian artist.
Public-domain text, read in full here on John Shaqi.
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