Round the Block: An American NovelBouton, John Bell
General
Round the Block: An American Novel
Bouton, John Bell
City and town life -- Fiction; Male friendship -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
Many of the spectators, supposing this was a part of the play--though
they did not see its precise connection with the plot--applauded what
was apparently a fine piece of acting.
"Good!" "Capital!" "Bravo!" were heard from all parts of the room,
mingled with stamping and clapping.
The man darted looks of concentrated hate at the audience.
"Who is he?" "How well he does it!" "What splendid tragedy powers!" were
some of the audible remarks that this called forth.
It was also observed that a wonderfully natural style of acting was
instantly developed among the other _dramatis personae_. Fidelia sprang
from the arms of Alberto, and put on a lifelike expression of insulted
dignity, mingled with astonishment. Alberto took a step away from the
ghastly intruder, and was evidently at a loss what to do. His face was
eloquent with bewilderment and mortification. The father looked confused
and sheepish, and put his hands into his pockets. Bidette screamed a
little, and fled to the opposite scenes. Uncle Bignolio whistled and
smiled, and was evidently amused at the occurrence.
All this, done in five seconds, so delighted the spectators, that they
cheered, and cheered again. "As good as a theatre!" ejaculated a new
friend of Mrs. Slapman's, on the front row.
The strange, disorderly man plunged forward with one leg toward Alberto,
and then drew himself back suddenly, as if in a state of harassing
indecision. (Applause.) Then he cast a diabolical look (worthy of the
elder Booth in Richard III) at the young lover, and shrieked, "Wretch!
villain! I will--I will--" He hesitated to add what he would do, but
shook his fists in a highly natural manner at the object of his hate.
(Great applause.)
"Sir!" said Fidelia, stretching her proud young form erect, like a
tragedy queen, "How dare you, sir!" (Boisterous applause, and this
remark from an elderly gentleman: "The picture of Mrs. Siddons!")
The singular individual in black was seen to tremble with increased
violence. His eyes rolled more wildly, while his face took on a chalkier
hue. He stepped back, as if to insure his retreat. Then, mustering all
his resolution, he said:
"M-Mrs. M-Mrs. Slapman, you--you ought to be a-ashamed of yourself!"
The real character of the strange actor was now made evident, and the
whole house was hushed in awe and expectation. There was not a man or
woman present but knew too well the folly of mingling in a family
quarrel. So they held their tongues, and enjoyed the scene.
Mrs. Slapman turned to the audience. She was pale, but perfectly
composed. She said:
"Ladies and gentlemen, this is my husband, a very quiet and well-behaved
man, whose only fault is excessive nervousness. This fault, I am sorry
to say, he encourages, by constantly smoking cigars and drinking strong
black tea. He has been indulging in both of these stimulants to-night,
till he is quite beside himself. I trust you will excuse and pity him.
He has no other vices that I know of."
Public-domain text, read in full here on John Shaqi.
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