Round the Corner: Being the Life and Death of Francis Christopher Folyat, Bachelor of Divinity, and Father of a Large FamilyCannan, Gilbert
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Round the Corner: Being the Life and Death of Francis Christopher Folyat, Bachelor of Divinity, and Father of a Large Family
Cannan, Gilbert
Clergy -- Fiction; England -- Social life and customs -- Fiction; English fiction -- 20th century; Families -- Fiction
"Respectable! Respectable! Give me a list of any ten men living in
respectable suburban villas and I warrant you there'll be more
dishonesty and cowardly misdoing in their lives than in ten of the
so-called criminal classes. I don't understand it. I do rotten things
myself--who doesn't?--but I can't shut my eyes to them when they're
done. Take my brother. He's a beastly idiot or an idiotic beast,
always getting into scrapes and shuffling out of them. By the time
he's thirty he'll still be doing the same things, but he'll have
learned how to prevent them coming to the surface. He'll marry, settle
down, enjoy a comfortable income, be a pillar of the Church and a
smug, hard Pharisee like all the rest, with all his tracks carefully
covered up and his conscience having a splendid time going over them."
"I don't think it matters to any man," said Serge, "what his brother
is and is not."
"I know what you mean. It isn't worth while letting out at brutes like
my brother, but it's a great comfort to be able to do it
occasionally."
"Good Lord! My dear, we can't do anything. We must all stew in our own
juice. I'd have a lively time of it if I began to worry about my
brother Frederic's morals. I have quite enough to do to look after my
own."
"That's all very well. I don't mind my brother's morals so much, but
what I can't swallow is that he will loathe art. . ."
"Art will survive that. Art is the concern of free men. Men who have
made themselves prisoners cannot understand it, and men always hate
what they cannot understand, until they realise that the few great
principles of the world were founded without any consideration for
their vanity. Then they can laugh. The artists, I imagine, are free
men, and they write, paint, make music, because more direct action is
almost impossible for them in a world made captive by lies, shams, and
hypocrisies. When all men and all women are free there will be no art,
for there will be no need for it. Life itself will be enough. It will
be so splendid."
"I don't believe that." Haslam became suddenly despondent. "If there
isn't to be anything but life, what's the good of anything?"
"The answer to that is--everything. The few men who attain freedom
must tell the joy of it for the rest and for those who come after
them. Spiritual evolution is slow, like every other natural process.
Every true artist raises the imaginative level of humanity, but
imaginative art is a small thing compared with the imaginative life.
It is easier. Some men have to choose between the two. They nearly
always choose wrongly."
There was a long silence, Haslam strode along by Serge's side. At last
he said:
"You are queer. One moment you make me want to shout with joy, and the
next you drag me down to the depths and I want to cry. You seem to
believe in such big things, but you don't seem to believe in men at
all."
"In most men, not at all."
"And women?"
Public-domain text, read in full here on John Shaqi.
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