On hearing of Mortimer’s appointment Professor Andreas had written him a very kindly and flattering congratulatory letter. I was actually present at their first meeting, and I went with Mortimer round the museum when the Professor showed us the admirable collection which he had cherished so long. The Professor’s beautiful daughter and a young man, Captain Wilson, who was, as I understood, soon to be her husband, accompanied us in our inspection. There were fifteen rooms, but the Babylonian, the Syrian, and the central hall, which contained the Jewish and Egyptian collection, were the finest of all. Professor Andreas was a quiet, dry, elderly man, with a clean-shaven face and an impassive manner, but his dark eyes sparkled and his features quickened into enthusiastic life as he pointed out to us the rarity and the beauty of some of his specimens. His hand lingered so fondly over them, that one could read his pride in them and the grief in his heart now that they were passing from his care into that of another. He had shown us in turn his mummies, his papyri, his rare scarabs, his inscriptions, his Jewish relics, and his duplication of the famous seven-branched candlestick of the Temple, which was brought to Rome by Titus, and which is supposed by some to be lying at this instant in the bed of the Tiber. Then he approached a case which stood in the very centre of the hall, and he looked down through the glass with reverence in his attitude and manner. “This is no novelty to an expert like yourself, Mr. Mortimer,” said he; “but I daresay that your friend, Mr. Jackson, will be interested to see it.” Leaning over the case I saw an object, some five inches square, which consisted of twelve precious stones in a framework of gold, with golden hooks at two of the corners. The stones were all varying in sort and colour, but they were of the same size. Their shapes, arrangement, and gradation of tint made me think of a box of water-colour paints. Each stone had some hieroglyphic scratched upon its surface. “You have heard, Mr. Jackson, of the urim and thummim?” I had heard the term, but my idea of its meaning was exceedingly vague. “The urim and thummim was a name given to the jewelled plate which lay upon the breast of the high priest of the Jews. They had a very special feeling of reverence for it—something of the feeling which an ancient Roman might have for the Sibylline books in the Capitol. There are, as you see, twelve magnificent stones, inscribed with mystical characters. Counting from the left-hand top corner, the stones are carnelian, peridot, emerald, ruby, lapis lazuli, onyx, sapphire, agate, amethyst, topaz, beryl, and jasper.” I was amazed at the variety and beauty of the stones. “Has the breastplate any particular history?” I asked.