English fiction; Horror tales, English; Short stories, English
“It is certainly most extraordinary,” said the inspector. “I never
remember a case like it. Let us see the watchman.”
The commissionaire was called—a soldierly, honest-faced man, who seemed
as concerned as Ward Mortimer at the incident.
“No, sir, I never heard a sound,” he answered, in reply to the questions
of the inspector. “I made my rounds four times, as usual, but I saw
nothing suspicious. I’ve been in my position ten years, but nothing of
the kind has ever occurred before.”
“No thief could have come through the windows?”
“Impossible, sir.”
“Or passed you at the door?”
“No, sir; I never left my post except when I walked my rounds.”
“What other openings are there in the museum?”
“There is the door into Mr. Ward Mortimer’s private rooms.”
“That is locked at night,” my friend explained, “and in order to reach
it any one from the street would have to open the outside door as well.”
“Your servants?”
“Their quarters are entirely separate.”
“Well, well,” said the inspector, “this is certainly very obscure.
However, there has been no harm done, according to Mr. Purvis.”
“I will swear that those stones are genuine.”
“So that the case appears to be merely one of malicious damage. But none
the less, I should be very glad to go carefully round the premises, and
to see if we can find any trace to show us who your visitor may have
been.”
His investigation, which lasted all the morning was careful and
intelligent, but it led in the end to nothing. He pointed out to us that
there were two possible entrances to the museum which we had not
considered. The one was from the cellars by a trap-door opening in the
passage. The other through a skylight from the lumber-room, overlooking
that very chamber to which the intruder had penetrated. As neither the
cellar nor the lumber-room could be entered unless the thief was already
within the locked doors, the matter was not of any practical importance,
and the dust of cellar and attic assured us that no one had used either
one or the other. Finally, we ended as we began, without the slightest
clue as to how, why, or by whom the setting of these four jewels had
been tampered with.
There remained one course for Mortimer to take, and he took it. Leaving
the police to continue their fruitless researches, he asked me to
accompany him that afternoon in a visit to Professor Andreas. He took
with him the two letters, and it was his intention to openly tax his
predecessor with having written the anonymous warning, and to ask him to
explain the fact that he should have anticipated so exactly that which
had actually occurred. The Professor was living in a small villa in
Upper Norwood, but we were informed by the servant that he was away from
home. Seeing our disappointment, she asked us if we should like to see
Miss Andreas, and showed us into the modest drawing-room.
Public-domain text, read in full here on John Shaqi.
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