England -- Social life and customs -- 19th century -- Fiction
Poor water-colour drawings, in indigo and Indian ink; screens,
ornamented with moss and dried leaves; paintings on velvet, and such
faintly ornamental works were displayed on one side of the shop. It was
always reckoned a mark of characteristic gentility in the repository,
to have only common heavy framed sash-windows, which admitted very
little light, so I never was quite certain of the merit of these Works
of Art as they were entitled. But, on the other side, where the Useful
Work placard was put up, there was a great variety of articles, of whose
unusual excellence every one might judge. Such fine sewing, and
stitching, and button-holing! Such bundles of soft delicate knitted
stockings and socks; and, above all, in Lady Ludlow’s eyes, such hanks
of the finest spun flaxen thread!
And the most delicate dainty work of all was done by Miss Galindo, as
Lady Ludlow very well knew. Yet, for all their fine sewing, it sometimes
happened that Miss Galindo’s patterns were of an old-fashioned kind; and
the dozen night-caps, may-be, on the materials for which she had
expended bonâ-fide money, and on the making-up, no little time and
eye-sight, would lie for months in a yellow neglected heap; and at such
times, it was said, Miss Galindo was more amusing than usual, more full
of dry drollery and humour; just as at the times when an order came in
to X. (the initial she had chosen) for a stock of well-paying things,
she sat and stormed at her servant as she stitched away. She herself
explained her practice in this way:--
“When everything goes wrong, one would give up breathing if one could
not lighten one’s heart by a joke. But when I’ve to sit still from
morning till night, I must have something to stir my blood, or I should
go off into an apoplexy, so I set to, and quarrel with Sally.”
Such were Miss Galindo’s means and manner of living in her own house.
Out of doors, and in the village, she was not popular, although she
would have been sorely missed had she left the place. But she asked too
many home questions (not to say impertinent) respecting the domestic
economies (for even the very poor like to spend their bit of money their
own way), and would open cupboards to find out hidden extravagances, and
question closely respecting the weekly amount of butter, till one day
she met with what would have been a rebuff to any other person, but
which she rather enjoyed than otherwise.
She was going into a cottage, and in the doorway met the good woman
chasing out a duck, and apparently unconscious of her visitor.
“Get out, Miss Galindo!” she cried addressing the duck. “Get out! O, I
ask your pardon,” she continued, as if seeing the lady for the first
time. “It’s only that weary duck that will come in. Get out, Miss
Gal----” (to the duck).
“And so you call it after me, do you?” inquired her visitor.
“O, yes, ma’am, my master would have it so, for he said, sure enough the
unlucky bird was always poking herself where she was not wanted.”
Public-domain text, read in full here on John Shaqi.
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