English essays -- 19th century; Great Britain -- Social life and customs; London (England) -- Description and travel
Well, then. We passed from Shepherd's Inn into Holborn, and looked for
a while at Woodgate's bric-a-brac shop, which I never can pass without
delaying at the windows--indeed, if I were going to be hung, I would
beg the cart to stop, and let me have one look more at that delightful
omnium gatherum. And passing Woodgate's, we come to Gale's little shop,
“No. 47,” which is also a favorite haunt of mine.
Mr. Gale happened to be at his door, and as we exchanged salutations,
“Mr. Pinto,” I said, “will you like to see a real curiosity in this
curiosity shop? Step into Mr. Gale's little back room.”
In that little back parlor there are Chinese gongs; there are old
Saxe and Sevres plates; there is Furstenberg, Carl Theodor, Worcester,
Amstel, Nankin and other jimcrockery. And in the corner what do you
think there is? There is an actual GUILLOTINE. If you doubt me, go and
see--Gale, High Holborn, No. 47. It is a slim instrument, much slighter
than those which they make now;--some nine feet high, narrow, a pretty
piece of upholstery enough. There is the hook over which the rope used
to play which unloosened the dreadful axe above; and look! dropped into
the orifice where the head used to go--there is THE AXE itself, all
rusty, with A GREAT NOTCH IN THE BLADE.
As Pinto looked at it--Mr. Gale was not in the room, I recollect;
happening to have been just called out by a customer who offered
him three pound fourteen and sixpence for a blue Shepherd in pate
tendre,--Mr. Pinto gave a little start, and seemed crispe for a moment.
Then he looked steadily towards one of those great porcelain stools
which you see in gardens--and--it seemed to me--I tell you I won't take
my affidavit--I may have been maddened by the six glasses I took of that
pink elixir--I may have been sleep-walking: perhaps am as I write now--I
may have been under the influence of that astounding MEDIUM into whose
hands I had fallen--but I vow I heard Pinto say, with rather a ghastly
grin at the porcelain stool,
“Nay, nefer shague your gory locks at me,
Dou canst not say I did it.”
(He pronounced it, by the way, I DIT it, by which I KNOW that Pinto was
a German.)
I heard Pinto say those very words, and sitting on the porcelain stool
I saw, dimly at first, then with an awful distinctness--a ghost--an
eidolon--a form--A HEADLESS MAN seated, with his head in his lap, which
wore an expression of piteous surprise.
At this minute, Mr. Gale entered from the front shop to show a customer
some delf plates; and he did not see--but WE DID--the figure rise up
from the porcelain stool, shake its head, which it held in its hand,
and which kept its eyes fixed sadly on us, and disappear behind the
guillotine.
“Come to the 'Gray's-inn Coffee-house,'” Pinto said, “and I will tell
you how THE NOTCH CAME TO THE AXE.” And we walked down Holborn at about
thirty-seven minutes past six o'clock.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account