The contemplative life is then, according to Rousseau, the opposite
of action. But to contemplate is according to an Aristotle or a
Buddha to engage in the most important form of action, the form that
leads to happiness. To identify leisure and the contemplative life
with pantheistic revery, as Rousseau does, is to fall into one of
the most vicious of confusions. Perhaps indeed the most important
contrast one can reach in a subject of this kind is that between a
wise strenuousness and a more or less wise passiveness, between the
spiritual athlete and the cosmic loafer, between a Saint Paul, let us
say, and a Walt Whitman.
The spiritual idling and drifting of the Rousseauist would be less
sinister if it did not coexist in the world of to-day with an intense
material activity. The man who seeks happiness by work according to the
natural law is to be rated higher than the man who seeks happiness in
some form of emotional intoxication (including pantheistic revery).
He is not left unarmed, a helpless dreamer in the battle of life. The
type of efficiency he is acquiring also helps him to keep at bay man’s
great enemy, ennui. An Edison, we may suppose, who is drawn ever onward
by the lure of wonder and curiosity and power, has little time to be
bored. It is surely better to escape from the boredom of life after the
fashion of Edison than after the fashion of Baudelaire.[290]
I have already pointed out, however, the peril in a one-sided working
of this kind. It makes man efficient without making him ethical. It
stimulates rather than corrects a fearless, formless expansion on the
human level. This inordinate reaching out beyond bounds is, as the
great Greek poets saw with such clearness, an invitation to Nemesis.
The misery that results from unrestraint, from failure to work
according to the human law, is something different from mere pain and
far more to be dreaded; just as the happiness that results from a right
working according to the human law is something different from mere
pleasure and far more worthy of pursuit.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account