It would have been a strange anachronism if the decade of the
Encyclopædia and the Seven Years' War had reproduced one of those scenes
which are as still resting-places amid the ceaseless forward tramp of
humanity, where some holy man turned away from the world, and with
adorable seriousness sought communion with the divine in mortification
of flesh and solitude of spirit. Those were the retreats of firm hope
and beatified faith. The hope and faith of the eighteenth century were
centred in action, not in contemplation, and the few solitaries of that
epoch, as well as of another nearer to our own, fled away from the
impotence of their own will, rather than into the haven of satisfied
conviction and clear-eyed acceptance. Only one of them--Wordsworth, the
poetic hermit of our lakes--impresses us in any degree like one of the
great individualities of the ages when men not only craved for the
unseen, but felt the closeness of its presence over their heads and
about their feet. The modern anchorite goes forth in the spirit of the
preacher who declared all the things that are under the sun to be
vanity, not in the transport of the saint who knew all the things that
are under the sun to be no more than the shadow of a dream in the light
of a celestial brightness to come.
Rousseau's mood, deeply tinged as it was by bitterness against society
and circumstance, still contained a strong positive element in his
native exultation in all natural objects and processes, which did not
leave him vacantly brooding over the evil of the world he had quitted.
The sensuousness that penetrated him kept his sympathy with life
extraordinarily buoyant, and all the eager projects for the disclosure
of a scheme of wisdom became for a time the more vividly desired, as the
general tide of desire flowed more fully within him. To be surrounded
with the simplicity of rural life was with him not only a stimulus, but
an essential condition to free intellectual energy. Many a time, he
says, when making excursions into the country with great people, "I was
so tired of fine rooms, fountains, artificial groves and flower beds,
and the still more tiresome people who displayed all these; I was so
worn out with pamphlets, card-playing, music, silly jokes, stupid airs,
great suppers, that as I spied a poor hawthorn copse, a hedge, a
farmstead, a meadow, as in passing through a hamlet I snuffed the odour
of a good chervil omelette, as I heard from a distance the rude refrain
of the shepherd's songs, I used to wish at the devil the whole tale of
rouge and furbelows."[254] He was no anchorite proper, one weary of the
world and waiting for the end, but a man with a strong dislike for one
kind of life and a keen liking for another kind. He thought he was now
about to reproduce the old days of the Charmettes, true to his
inveterate error that one may efface years and accurately replace a
past. He forgot that instead of the once vivacious and tender
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account