International relations -- Fiction; Liaoyang, Battle of, Liaoyang, China, 1904 -- Fiction; War correspondents -- Fiction
Back to lower Liaotung again, in early June. In spite of every
precaution, one of Togo’s gunboats ran him down in Society Bay, and he
was sent ashore under a guard. Great luck served him, inasmuch as there
were no English with the Japanese at this place, Pulatien, where he was
held for ten days, while the officers debated upon his credentials. It
was here that Routledge encountered the prettiest feature-story of the
war--the duel of Watanabe and Major Volbars, a prisoner from Nanshan.
The Japanese escorted him to his junk at last, and he put off with
orders from one of Togo’s ensigns to return no more to Kwantung waters.
The battle of Telissu was fought on this day at sea, and he missed it
entirely. With English now in Wangcheng and Chifu, Routledge ordered
his Chinese to sail north, and to put him ashore at Yuenchen, a little
port twenty miles to the west of the Liao’s mouth.
It was only by a squeak that the order was carried out. That was a
night of furies on the yellow gulf. Bent in the hold, thigh-deep
in tossing water, Routledge recalled the hovel in Rydamphur with a
sorry smile. It did not seem at that moment that the storm would
ever permit him to be maimed on land--or a woman to come to him. The
old craft was beaten about under bare poles in a roaring black that
seemed to drop from chaos. The Chinese fought for life, but the gray
of death-fear was upon them. Bruised, almost strangled, Routledge
crouched in the musty hold, until his mind fell at last into a strange
abstraction, from which he aroused after an unknown time. His physical
weariness was extreme, but it did not seem possible that he could have
slept, standing in black, foaming water, and with a demoniacal gale
screeching outside. Yet certainly something had gone from him and had
taken his consciousness, or the better part of it.... It was this
night that Noreen Cardinegh had entered at dusk her little house in
Minimasacuma-cho and met by the easel the visible thought-form of her
lover.
Public-domain text, read in full here on John Shaqi.
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