The scene is supposed to be drawn from one of the landing-places in the East Indies. A merchantman has arrived with a cargo which has proved a source of excitement and attraction to residents of all classes. The fair sex being in great apparent request, a shipload of English beauties on arriving in the East would naturally produce commotion and competition among natives and foreigners alike. A dapper auctioneer is mounted on a bale of books lately arrived, a similar package forms his desk, and he is knocking down a very attractive article, which seems likely to bring a handsome figure. A fine tall beauty is under the scrutiny of a rich Nabob; a young officer is trying to win her ear, and an envoy from the Government, with instructions in his pocket from the Governor-General, is calculating the lady's height with his walking-stick held as a measure. Similar incidents are represented around; the Rajahs are inspecting the latest importations with true merchant-like caution; sundry bargains have already been secured, and in the scales is shown a method of approximating valuations; a well-favoured arrival of the florid and fully developed type is set against a corresponding weight of 'lacs of rupees.' In the background is pictured a large warehouse for 'unsaleable goods from Europe--to be returned by the next ship'--and several damsels are in great distress at being forced to take refuge within this unpopular establishment. 1810. _A Parody on Milton._ Published by T. Tegg. On she came--such as I saw her in my dream. Grace was in all her steps--heaven in her eye; In every gesture dignity and love.--MILTON. A slipshod and tailorlike-looking old scarecrow, with spectacles on nose, and wearing a scarlet nightcap, is viewing with idiotic rapture the advent of a fat, inebriated, and dishevelled bacchante of mature charms, who, with a decanter in one hand and a glass in the other, is staggering into the chamber, to the amusement of a pretty servant-maid outside. The ancient dotard is making a parody on the quotation: 'On she came--such as I saw her in my dream. _Grease_ was in all her steps--Geneva in her hand; and every gesture reeling ripe for fun!' _Circa 1810._ _Cries of London._ Thirty plates. 1810. S. Butler. _Hudibras._ With illustrations after W. Hogarth, engraved by Thomas Rowlandson. Republished. T. Tegg. (See 1809.) FOOTNOTE: [22] The satirical humours of this sign, which dates back from a recondite period, find a place in Larwood's valuable _History of Signboards_, who gives us further particulars from his own exhaustive researches. 'In Holland, in the seventeenth century, it was used, but the king was left out, and a lawyer added. Each person said exactly the same as our signboards, but the farmer answered:-- You may fight, you may pray, you may plead, But I am the farmer who lays the eggs-- _i.e._ finds the money.