Rowlandson the Caricaturist; a Selection from His Works. Vol. 2Grego, Joseph
History
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Grego, Joseph
English wit and humor, Pictorial; Rowlandson, Thomas, 1756-1827
_February 16, 1811._ _The Gig-Shop, or Kicking up a Breeze at Nell
Hamilton's Hop._ Published by T. Tegg.--According to the picture of
this place of 'fast' resort, dancing has given way to much rougher
diversions, and, although the musicians are in their gallery,
playing away as if the scene below was the regular thing, the place
appropriated for the dance is given up to a _mill_ conducted on
strikingly professional principles; one of the combatants has 'peeled'
in recognised style, and his opponent has stripped to his shirt;
the backers and seconders of the fisticuffing bucks (who are freely
besprinkled with the ruby fluid) are members of the fair sex; in fact,
ladies seem in the ascendant at this entertainment. A ring of delighted
spectators are enjoying the fight and the fun from the benches, while
other gentlemen are prudently engaged in restraining their fair
partners from getting mixed up in the squabble which is raging fast
and furious, thick and general, behind the two 'milling' gentlemen;
ladies using their fists manfully, kicking, tearing hair, and throwing
themselves into desperate warfare with terrific confusion and effect.
In the foreground a fair nymph of interesting but dishevelled
appearance, probably the _friend_ of one of the combatants, is falling
into a fainting fit, from which the attentions of those who surround
her seem inadequate to restore her to consciousness.
[Illustration: PIGEON-HOLE.]
_February 20, 1811._ _Pigeon Hole, a Covent Garden Contrivance to Coop
the Gods._ Published by T. Tegg (57).--The miseries consequent on heat
and crowding in a restricted space, as displayed in the Pigeon Hole
Galleries of John Kemble's newly-constructed Drury Lane Theatre, gave
rise to the present caricature, which is further explained under the
head of _This is the House that Jack Built_ (Sept. 27, 1809), and _The
Boxes_ (Dec. 12, 1809). General dissatisfaction was expressed by all
but the privileged subscribers; the lessee's treatment of the humble
supporters of the drama, the frequenters of the gallery, gave special
offence; and the illiberality of the management which provided such
disgraceful accommodation for its patrons was resented by the unruly
proceedings known as the _O. P. Riots_, which marked the public sense
of the transaction.
Public-domain text, read in full here on John Shaqi.
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