Rowlandson the Caricaturist; a Selection from His Works. Vol. 2Grego, Joseph
History
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Grego, Joseph
English wit and humor, Pictorial; Rowlandson, Thomas, 1756-1827
_March 28, 1811._ _Kitty Careless in Quod, or Waiting for Jew Bail._
Published by T. Tegg (65).--A dashing young lady of fashion, who has
evidently been running ahead of the constable, is 'laid by the heels'
in a spunging-house; the apartment in which she is lodged belongs,
it appears from a printed notice on the wall, to _MacNab, Sheriff's
Officer for the County of Middlesex--genteel accommodation for ladies
and gentlemen_. Heavy locks and bolts to the door, and massive bars
to the window, indicate the security of Kitty's keeping. The fair
captive does not seem depressed by her confinement: seated before a
glowing fire, her legs crossed in easy indifference, the prisoner is
drinking bumpers of port wine with her captors; a spectacle by no means
unusual in the days of this publication, when the extravagances of
people of fashion were constantly leading them to the confinement of a
spunging-house.
_April 1, 1811._ _Pastime in Portugal, or a Visit to the Nunneries._
Published by T. Tegg (64).--The principal figure in this picture is
that of a young officer belonging to the British army opposed to the
French legions on the Peninsula; in company with a Portuguese don he
has come to visit one of the nunneries which were sufficiently abundant
in the country; three well-favoured members of the sisterhood and a
sour-looking old harridan, by way of duenna, have come to the 'grill,'
or large grated window, which was employed to cut off the 'cloistered
ones' from the rest of the world. We are able to gather from the
illustrations of the period that travellers were accustomed to make
visits to nunneries, where they purchased objects manufactured by the
inmates, who were regarded by our countrymen as a kind of show; the
visitors, however, were always restricted to the outside of the grating
which separated the sisterhood from more intimate association with
a wicked world. In Rowlandson's sketch the pretty nuns are offering
silk purses, of their own knitting, to their dashing visitor, whose
attention is more exclusively occupied by the very decided personal
attractions of the fair recluses.
Public-domain text, read in full here on John Shaqi.
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