1811 (?). _Quaix de Paris._ ditto. 1811 (?). _A Country Club._ 1811 (?). _Recruits._ (See 1803.) 1811 (?). _Morning, or the Man of Taste._ After H. Bunbury. 1811 (?). _Evening, or the Man of Feeling._ ditto. 1811 (?). _Conversazione._ _October 11, 1811._ _Six Classes of that Noble and Intelligent Animal--a Horse._ The Race Horse. The Shooting Pony. The Gig Horse. The War Horse. The Hunter. The Draught Horse. _October 10, 1811._ _Distillers looking into their own business._ Published by T. Tegg.--The principal objects in the print are a still and a cask of double-rectified spirits, into which three members of the firm are involuntarily infusing foreign elements. _October, 1811._ _Dinners Dressed in the neatest manner._ Published by T. Tegg (112).--The preparations of the cook in question are not calculated to increase the appetite of the observant epicure; the _chef_ is hideous, old, rheumy, slovenly, and diseased; he is kneading the paste with his objectionable hands, his snuffbox is on the board by his side; while a blowsy and uncombed slattern is reaching down a pie-dish, in which the rats have been revelling; the bold depredators are scampering off no farther than the next dish. (Companion to _Distillers looking into their own business_.) _October 25, 1811._ _A Trip to Gretna Green._ Designed and published by T. Rowlandson, 1 James Street, Adelphi.--The scene of the situation is the green at Gretna, before the shed of _Tim Tag, 'Blacksmith and Rector.'_ The worthy is in his clerical character, decently clad in professional sables; and, with spectacles on nose, he is reading the service, in a somewhat extemporary fashion, over a fugitive couple, in the open air. A dashing captain, dressed in his regimentals, as was then the everyday fashion in the King's service, is placing a ring on the finger of a comely maiden of tender years, who is smiling and blushing. The postilion who has driven the runaway pair to this stolen match is standing, cap in hand, grinning at the ceremonial. While the blacksmith is rivetting the fetters of Hymen in his clerical character, his professional helpers are looking to the shoes of the horses which are to bear the newly-married couple across the Border.