The representation of an extravagantly corpulent couple, whose rest is apparently fitful; the lines attached to the plate, which is not remarkable for refinement, form its best description. _April 12, 1812._ _The Ducking Stool._ Republished. (See April 12, 1803.) [Illustration: ITALIAN PICTURE-DEALERS HUMBUGGING MY LORD ANGLAISE.] _May 30, 1812._ _Italian Picture Dealers Humbugging my Lord Anglaise._ Published by T. Rowlandson, 1 James Street, Adelphi.--'Milord' is a very dandified young sprig of nobility, who is an evident _macaroni_, with the ambition to shine as a man of taste. A 'foreign nobleman'--that is to say, according to English views at the period--a 'speculative Count,' who is very splendid in exterior, is evidently a confederate of his countryman, the _Italian picture dealer_, and has accompanied the noble incipient collector as a decoy to puff the wares, and if need be to offer fictitious sums in opposition to 'Milord' and spur his enthusiasm for the fine arts, which are respectably represented around, as far as good names go. A sensuous Magdalen, attributed to Guido, is exciting the admiration of the party and employing the wily dealer's eloquence. Around are supposititious examples of Rubens, Carracci, Titian, Teniers, Salvator Rosa, and other 'undoubted originals,' the major part of which in all probability owe their well-disguised paternity to the versatile 'Van Daub.' [Illustration: A BRACE OF BLACKGUARDS.] _May 30, 1812._ _A Brace of Blackguards._ Published by T. Rowlandson, St. James Street, Adelphi.--It has been mentioned in respect to this eccentric production that the figures of the two gentlemen to whom this dubious compliment is rendered are intended to represent those of Rowlandson, the caricaturist, in the boxing attitude, and his friend George Morland, the painter, seated in the chair. [Illustration: RACING.] _June 4, 1812._ _Broad Grins, or a Black Joke._ Published by T. Tegg.--A clerical-looking gentleman is thrown into consternation at the interesting condition of a rustic female, who is standing beneath a board announcing 'Man-traps laid in these grounds.' The head of a black footman peering through a hole in the garden-wall indicates the true source of the 'Black Joke.' _July 14, 1812._ _Miseries of London. Watermen. Oars? Sculls?_ Published by T. Rowlandson, 1 James Street, Adelphi.--Entering upon any of the bridges of London or any of the passages leading to the Thames, being assailed by a group of watermen, holding up their hands and bawling out 'Oars? Sculls, sculls? Oars, oars?' [Illustration: MISERIES OF LONDON. 'Oars? Sculls, sculls? Oars, oars?'] 1812 (?). _Racing._ Published by T. Tegg (158). _July 14, 1812_ (?). _Glow Worms._ (See 1805.) Published by T. Rowlandson, 1 St. James Street, Adelphi. _July 14, 1812_ (?). _Muck Worms._ (See 1800.) _July 14, 1812_ (?). _The Rivals._