Rowlandson the Caricaturist; a Selection from His Works. Vol. 2Grego, Joseph
History
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Grego, Joseph
English wit and humor, Pictorial; Rowlandson, Thomas, 1756-1827
1812. _Hackney Assembly. 'The Graces, the Graces, remember the
Graces!'_ From erasures in the date of this plate it seems probable
that it was originally issued ten years earlier. As the title
indicates, this sketch is a broad burlesque of the deportment displayed
by the frequenters of a suburban ball-room. The awkward and ungainly
carriage of all the figures is amusingly exaggerated. A master of
the ceremonies, the expression of whose features is complicated by
a decided squint, is briskly performing the rites of his office and
introducing a cobby little gentleman as a partner to an angular and
misshapen spinster, who, in consulting _the graces_, has thrown her
Gothic frame into an absurdly constrained and affected posture.
1812. _The Learned Scotchman, or Magistrate's Mistake._ Woodward del.,
Rowlandson sculp. Published by T. Tegg (150).--A Scotchman is led
before a country justice, charged with drunkenness; the magistrate's
wife is seated by the side of her lord, and is much shocked at the
learned Caledonian's defence; bowing low, bonnet in hand, the Scot is
throwing himself on the clemency of the court: 'I own, your honour, I
was a little inebriated, but your worship knows _Nemo mortalium omnibus
hooris saupit_.' 'What's that you say, fellow,' retorts the magistrate,
'about a sawpit?--a very improper place to go with such company. I
wonder you are not ashamed to mention such a thing, and before my wife
too. But, however, as it is your first offence, I will discharge you
this time; but never come here with such a story again!'
1812 (?). _Preaching to some Purpose._--An open-air meeting of rustic
worshippers. Great astonishment is pictured on the upturned faces of
the expectant congregation. The preacher is raised on an extemporised
pulpit; he is clad in black, but in the rear of his nether garment
appears a formidable rent, which his hand is not sufficiently broad
to conceal. He is earnestly addressing his perplexed hearers to the
following purpose: 'Dearly beloved, before I begin my discourse, I
have three things to inform you of. The first thing I know, and you do
not know. The next thing you know, and I do not know,--and the third
thing none of us know, viz., in my way here to preach, crossing Farmer
Hobson's stile, I tore my breeches,--the extent of the rent I know, and
you do not know. Secondly, what you are willing to subscribe to get
them repaired you know, and I do not know. And lastly, what Tim Snip,
the tailor, will charge for the job, _that none of us know_!'
1812 (?). _New Invented Elastic Breeches._ H. Nixon invt., T.
Rowlandson sculp.--Two tailors are using considerable manual force
trying to pull a customer into a pair of close-spring breeches. The
scene is taking place on the premises of the inventor and manufacturer
of the patent articles in question.
Public-domain text, read in full here on John Shaqi.
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