Rowlandson the Caricaturist; a Selection from His Works. Vol. 2Grego, Joseph
History
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Grego, Joseph
English wit and humor, Pictorial; Rowlandson, Thomas, 1756-1827
Veteran topers are soaking at the sign of _The Goat_ on the village
green; they are bloated and gouty, but convivial and careless. The
landlord is looking somewhat horrified to find one of his best and most
unwieldy customers carried off by his enraged and scolding wife, for
whose assistance Death has himself brought a wheelbarrow in which to
cart away her incapable spouse, and in reply to the railings of the
vixen the grim death's-head is comically wagging his nether jaw, and
logically stating his just claim to this burden of well-saturated clay.
Plate 13. _The Honeymoon._
When the old fool has drunk his wine
And gone to rest,--I will be thine.
A wealthy old dotard, already half in the grave, has committed the
last supreme folly of decrepitude, and married a young, beautiful,
and blooming maid, whose troth and affections are plighted in advance
to a more suitable but less prosperous suitor. The artist has drawn
the enjoyments of the honeymoon; the imbecile and antiquated 'happy
man,' nightcap on head, is plunged in an invalid chair; a well-stuffed
cushion gives ease to his gouty extremities; a table at his side
is spread with a costly dessert service. The palsied hands of the
venerable idiot are vainly striving to steady a goblet for a bumper;
the eager toper does not distinguish the hand which is filling his last
glass. The grim skeleton, Death, stooping over a screen, is supplying
the final dose from his own fatal decanter. The blushing fair, who has
been trying to soothe the gouty torments of her superannuated spouse
with music and poetry, is awakened to the sound of a window opening at
her back, her name is pronounced; 'tis the gallant and dashing young
officer, the man of her choice. Nothing abashed, and without disturbing
her attitude beside the invalid, or turning her head, her rounded arm
and taper hand are leant over the casement by way of encouragement to
her lover, who is availing himself of the opportunity and is embracing
her fingers.
Public-domain text, read in full here on John Shaqi.
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