Royal Edinburgh: Her Saints, Kings, Prophets and PoetsOliphant, Mrs. (Margaret)
History
Royal Edinburgh: Her Saints, Kings, Prophets and Poets
Oliphant, Mrs. (Margaret)
Edinburgh (Scotland) -- History
When Knox emerged out of the silence which here falls so strangely upon
his life (broken but by one energetic protest and appeal to the
community against the re-erection of the bishopric of St. Andrews, which
is full of all his old force) he was a weakened and ailing man, not less
ready in spirit to perform all his ancient offices as standard-bearer
and champion, but sadly unable in body to bear the fatigues and
excitement of such an agitated life. He reappeared in public for the
first time when the infant James was crowned in Stirling, preaching the
sermon which preceded that melancholy ceremony. He then returned to
Edinburgh, where for a brief period he saw the accomplishment of all his
desires under the Regent Murray's government: the mass banished; the
Kirk re-established; a provision, though still limited to a third of the
old ecclesiastical property, securely settled for the maintenance of
religion, and every precaution taken for the stability of the
settlement. He was no longer able to take the part he had done in the
affairs of the time and the guidance of the Assemblies, but he was still
able to conduct, at least, the Sunday services at St. Giles's, and to
give his strenuous advice and help in all the difficulties of
government. It must have seemed to him that the light which comes at
eventide had been fully granted to his prayers. But the death of Murray
changed all this like the end of a happy dream. His sermon in St.
Giles's, after that terrible event, is a wail of impassioned
lamentation. "He is at rest, O Lord! but we are left in extreme misery,"
he cries, his grief redoubled by the thought that it was he who had
procured from Murray the pardon of the assassin. St. Giles's was full of
the sound of weeping when the old man, worn with labour and trouble,
pronounced those beautiful words which have breathed like the tone of
the silver trumpets over so many a grave: "Blessed are the dead that die
in the Lord." It was one of the last of his appearances in that great
cathedral which he had made his own, and to which he had given the only
compensation and adornment which could make up for its old sanctities
and decoration sacrificed--the prodigious crowd of eager and sympathetic
listeners, the great voice not without discords and broken notes, but
full of natural eloquence and high religious feeling, of an orator and
prophet.
Public-domain text, read in full here on John Shaqi.
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