Royal Edinburgh: Her Saints, Kings, Prophets and PoetsOliphant, Mrs. (Margaret)
History
Royal Edinburgh: Her Saints, Kings, Prophets and Poets
Oliphant, Mrs. (Margaret)
Edinburgh (Scotland) -- History
The scene at the window of the Provost's lodging where the unfortunate
Queen was lodged, near the Nether Bow of Edinburgh, when brought back
from Dunbar after the flight of Bothwell by the angry lords, with the
mob clamouring underneath, and her enemies holding her fate in their
hands, seems to me one of the most significant in her history. No woman
was ever in circumstances more terrible. The situation is stronger if we
suppose her guilt, and that what we see before us is a great spirit
carried away by passion--that something beyond reason, beyond all human
power to restrain, which sometimes binds an angelic woman to a villain,
and sometimes a man of the highest power and wisdom to a lovely trifler
or a fool. It seems to me as at once more consistent with the facts and
with human nature to realise the position of the unhappy Queen as
transported by that overwhelming sentiment, and wrought on the other
side to an impatience almost maddening, by the injuries, follies,
treacheries, and universal provocation of her unworthy husband, until
the force of the bewildering current carried her in a disastrous moment
over a precipice worse than any Niagara, in a headlong course of mingled
misery, exasperation, love, and despair. Before she had even
accomplished the terrible circle of events, and become Bothwell's wife,
it requires no strong effort of the imagination to perceive that the
despair might well have come uppermost, and that Mary fully recognised,
not only the horror, but the futility and wretched failure into which
she had plunged. We do not pretend to believe that there was much to
cause remorse in the mind of such a woman in such an age in the death,
however brought about, of the miserable Darnley. Mary could have brushed
him from her memory like a fly, had that been all. But the rage of
despair and failure was in her soul when she raved like a caged lion
from door to window, imprisoned, trapped, and betrayed, expressing her
incoherent transport of pain to the mob which would have had her blood,
but which, overcome by the spectacle of that supreme and awful passion,
became silent with awe or hushed by a spasm of pity and tears.
Public-domain text, read in full here on John Shaqi.
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