Again the noises cease save for a wail of lamentation over the dead. The operations of war are suspended, the dark ranks of the army stand aside, and every trumpet and fatal cannon is silent while once more a woman and a child come into the foreground of the historic scene. Once more, the most pathetic figure surely in history, a little startled boy clinging to his mother--not afraid indeed of the array of war to which he has been accustomed all his life, and perhaps with an instinct in him of childish majesty, the consciousness which so soon develops even in an infant mind, of unquestioned rank, but surrounded by the atmosphere of horror and affright in which he has been taken from among his playthings--stands forth to be hastily enveloped in the robes so pitifully over-large of the dead monarch. The lords, we are told, sent for the Prince in the first sensation of the catastrophe, and had him crowned at Kelso, feeling the necessity of that central name at least, round which to rally. They were not always respectful of the real King when they had him, yet the divinity which hedged the title, however helpless the head round which it shone, was felt to be indispensable to the unity and strength of the kingdom. Mary of Gueldres in her sudden widowhood would seem to have behaved with great dignity and spirit at this critical moment. She is said to have insisted that the siege should not be abandoned, but that her husband's death might at least accomplish what his heart had been set upon; and the army after a moment of despondency was so "incouraged" by the coming of the Prince "that they forgot the death of his father and past manfullie to the hous, and wan the same, and justified the captaine theroff, and kest it down to the ground that it should not be any impediment to them hereafter." The execution of the captain seems a hard measure unless he was a traitor to the Scottish crown; but no doubt the conflict became more bitter from the terrible cost of the victory. [Illustration: THE CANONGATE TOLBOOTH]