Courts and courtiers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
He got muddled and lost his bearings and it was a long time before he
realized that she was making fun of him. Then he tried to explain
himself and to make his simple question clear, explaining that he meant
to ask whether she included the under-water holds, the cellars so to
speak, in the five--in short, to prove that he was not lacking in common
sense, and at last he joined heartily in the merriment which was the
result of his efforts. As for the Court Theatre, Miss Spoelmann gave it
as her opinion, with a pout and a wag of the head, that the actress who
played the _ingénue_ should be strongly recommended to go through the
cure at Marienbad, coupled with a course of lessons in dancing and
deportment, while the hero should be warned that a voice as resonant as
his should be used most sparingly, even in private life.... All the
same, Miss Spoelmann expressed her warm admiration for the theatre in
question.
Klaus Heinrich laughed and wondered, a little oppressed by so much
smartness. How well she spoke, how pointed and incisive were her words!
They discussed the operas also and the plays which had been produced
during the winter, and Imma Spoelmann contradicted Klaus Heinrich's
judgments, contradicted him in every case, just as if she thought that
not to contradict would show a mean spirit; the superior wit of her
tongue left him dazed, and the great black eyes in her pearl-white face
glittered from sheer joy in her dialectic skill, while Mr. Spoelmann
leaned back in his chair, holding the fat cigarette between his lips and
blinking through its smoke, and gazed at his daughter with fond
satisfaction.
More than once Klaus Heinrich showed in his face the look of pained
bewilderment which he had noticed on a previous occasion on the face of
the good sister, and yet he felt convinced that it was not Imma
Spoelmann's intention to wound his feelings, that she did not consider
him humbled because he was not successful in standing up to her, that
she rather let his poor answers pass, as if she considered that he had
no need of a sharp wit to defend him--it was only she who had. But how
was that, and why? He thought involuntarily of Ueberbein at many of her
sallies, of the nimble-tongued blusterer Ueberbein, who was a natural
misfortune, and had grown up in conditions which he described as
favourable. A youth of misery, loneliness, and misfortune, shut out from
the blessings of fortune--such a man knew no luxury, no comfort, he saw
himself clearly and cruelly thrown on his own resources, which assuredly
gave him an advantage over those who "knew not necessity."
Public-domain text, read in full here on John Shaqi.
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