Courts and courtiers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
Then she described to him subscription lists which kept pouring in to
Delphinenort, and which were dealt with as thoroughly as was
practicable; of the piles of begging letters by every post from Europe
and America which Messrs. Phlebs and Slippers ran through and weeded out
for submission to Mr. Spoelmann. Sometimes, she said, she amused herself
by glancing through the heaps, and reading the addresses; for these were
often quite fantastic. For the needy or speculative senders tried to
outdo each other in the deference and servility of their address on the
envelopes, and every conceivable title and distinction could be found
mixed up in the strangest way on the letters. But one begging-letter
writer had quite recently carried off the prize by addressing his
envelope to: "His Royal Highness Mr. Samuel Spoelmann." But it did not
get him any more than the others.
On other occasions the Prince fell to talking mysteriously about the
"Owl Chamber" in the Old Schloss, and confided to her that recently
noises had again been heard in it, pointing to events of moment in his,
Klaus Heinrich's, family. Then Imma Spoelmann laughed, and, pouting and
wagging her head from side to side, gave him a scientific explanation of
the noises, just as she had done in connexion with the secrets of the
barometer. Nonsense, she said; it must be that that part of the
lumber-room was ellipsoidal, and a second ellipsoidal surface with the
same curvature and with a sound-source at the focus existed somewhere
outside, the result being that inside the haunted room noises were
audible which could not be distinguished in the immediate neighbourhood.
Klaus Heinrich was rather crestfallen over this explanation, and loath
to give up the common belief in the connexion between the lumber-room
and the fortunes of his house.
Thus they conversed, and the Countess too took part, now sensible, now
confused; Klaus Heinrich took considerable pains not to rebuff or chill
her by his manner, and addressed her as "Frau Meier" whenever she
appeared to think it necessary for her protection against the plots of
the wicked women. He recounted to the ladies his unreal life, the gala
suppers at the students' clubs, the military banquets, and his
educational tour; he told them about his relations, about his
once-beautiful mother, whom he visited now and then in the "Segenhaus,"
where she kept dismal court, and about Albrecht and Ditlinde. Imma
Spoelmann in her turn related some incidents in her luxurious and
singular youth, and the Countess often slipped in a few dark sayings
about the horrors and secrets of life, to which the others listened with
serious and thoughtful faces.
Public-domain text, read in full here on John Shaqi.
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