Courts and courtiers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
This scene, Imma Spoelmann in the presence of Albrecht, long remained
the favourite topic of conversation, and although it had passed, as it
was bound to pass, without anything unusual happening, yet its charm and
importance must not be overlooked. It was not indeed the climax of the
evening. That, in the eyes of many, was the Quadrille d'honneur; in the
eyes of others, the supper,--in reality, however, it was a secret
duologue between the two chief actors in the piece, a short, unnoticed
exchange of words, whose contents and actual result the public could
only guess--the settlement of certain tender struggles on horseback and
on foot.
As to the Quadrille d'honneur, there were people who declared next day
that Miss Spoelmann had danced in it, with Prince Klaus Heinrich as her
partner. Only the first part of this story was correct. Miss Spoelmann
had taken part in the solemn dance, but as the British Consul's partner
and Prince Klaus Heinrich's _vis-à-vis_. This was fairly strong, but
what was still stronger was that the majority of the guests did not
consider it an unheard-of thing, but on the contrary almost a matter of
course.
Yes, Imma Spoelmann's position was established; the popular conception
of her personality--as the public learned next day--had prevailed in the
Court ballroom, and, what is more, Herr von Knobelsdorff had taken care
that this conception should be expressed with all the publicity he
thought desirable. Not with distinctive or aggressive respect; no, Imma
Spoelmann had been treated ceremoniously, and at the same time with
systematic, intentional emphasis. The two Masters of the Ceremonies on
duty--Chamberlains in rank--had introduced selected dancers to her; and
when she had left her place, close by the low red platform where the
Grand Ducal family sat on damask chairs, to dance with her partners,
they had busied themselves, just as when the princesses danced, in
clearing her a space under the chandelier in the middle and protecting
her from collisions--an easy task in any case, for a protective circle
of curiosity had formed round her when she danced.
Public-domain text, read in full here on John Shaqi.
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