Courts and courtiers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
Klaus Heinrich looked round him as he processed between his parents
through the dreary arabesques, the dilapidated decorations of the
show-rooms, now not favoured by kindly artificial light. The bright
daylight cheerfully and soberly showed up their decay. From the big
lustres with their stiff-bound stems, stripped of their coverings in
honour of the day, rose thick forests of flameless candles, but
everywhere there were prisms missing, crystal festoons torn, so that
they gave a canker-bit and toothless impression. The silk damask
upholstery of the State furniture, which was arranged stiffly and
monotonously round the walls, was thread-bare, the gilt of the frames
chipped off, big blind patches marred the surfaces of the tall
candle-decked mirrors, and daylight shone through the moth-holes in the
faded and discoloured curtains. The gold and silver borders of the
tapestry hangings had torn away in several places, and were hanging
disconsolately from the walls. Even in the Silver Hall of the Gala
Rooms, where the Grand Duke was wont to receive solemn deputations, and
in the centre of which stood a mother-of-pearl table with stumpy silver
feet, a piece of the silver work had fallen from the ceiling leaving a
gaping patch of white plaster.
But why was it that it somehow seemed as if these rooms defied the
sober, mocking daylight, and proudly answered its challenge? Klaus
Heinrich looked sideways at his father.... The condition of the rooms
did not seem to worry him. Never of more than medium height, the Grand
Duke had become almost small in the course of years, but he strode
majestically on with head thrown back, the lemon-coloured ribbon of the
Order over his general's uniform, which he had donned to-day, though he
had no military leanings. From under his high and bald forehead and grey
eyebrows, his blue eyes, with dull rings round them, were fixed with
weary dignity on the distance, and from his pointed white moustaches the
two deep furrows ran down his yellowish skin to his beard, imparting to
his face a look of contempt. No, the bright daylight could not do any
harm to the rooms; the dilapidations did not in the least impair their
dignity, they rather increased it. They stood in their discomfort, their
theatrical symmetry, their strange musty play-house or church
atmosphere, cold and indifferent to the merry and sun-bathed world
outside--stern background of a pompous cult, at which Klaus Heinrich
this day for the first time officiated.
Public-domain text, read in full here on John Shaqi.
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