Royal Winchester: Wanderings in and about the Ancient Capital of EnglandL'Estrange, A. G. K. (Alfred Guy Kingan)
History
Royal Winchester: Wanderings in and about the Ancient Capital of England
L'Estrange, A. G. K. (Alfred Guy Kingan)
Winchester (England) -- Description and travel
On entering, the full effect of the great length and height is
felt.[73] We seem to be looking down a lofty avenue in some primeval
forest. This is the most beautiful nave in England or in the world, 250
feet long and 77 feet high. Truly this pile was not raised by the
“lore
Of nicely calculated less or more;”
but by men--
“With a far look in their immortal eyes.”
High in front of us under the eastern gable stands the glorious window
erected by Bishop Fox, in the reign of Henry VII., when the staining of
glass reached a supreme excellence never before or afterwards attained.
It would appear from the fragments in the aisle windows that they were
all at one time coloured, but the Roundheads smashed them, and the
pieces collected were placed in the west window, where they form a sort
of farrago or confusion--an edifying emblem of the destructive results
of revolution.[74]
[Illustration: King James]
On either side just within the main entrance stands the figure of a
king. They have a somewhat Ethiopian appearance and I took them for
the sovereigns of Arabia and Saba. But they really represent the First
James and Charles. They seem to be handling their sceptres in a very
formidable manner, as if they had still Waller’s rabble in front of
them; and we read that they had swords, which were broken off by the
rebels. These figures have a family likeness to that at Charing
Cross, which was by the same man, Le Soeur. They were placed by Charles
I. in front of the rood screen of Inigo Jones. That monarch “of blessed
memory” also moved the organ to the side, so that an uninterrupted view
could be obtained up the Cathedral.
[Sidenote: The Font.]
On the right-hand side stands the celebrated font--a heavy mass of
black basalt, supposed to be Byzantine, and of the same character as
that at East Meon. The figures on it have a little the appearance
of marionettes, and there is, in truth, some unreality about the
representation which records the miracles of St. Nicholas. A monk
has written an account of the events here brought before us--how St.
Nicholas saved three virgins from disgrace, stilled a storm, restored a
sailor to life, healed the sick, and saved three condemned men. Death
itself could not stop the saint’s beneficence, for after his decease
he restored a child who had fallen overboard with a golden cup. Behind
the font on the wall of the north aisle are memorials to two remarkable
women. Miss Austen is still thought by some of the old school to be the
queen of novelists, and the fact that her works are still published
proves their merit.
“I like ‘Pride and Prejudice’ very much,” said Miss Hertford.
The other lady here commemorated, Mrs. Montagu, was a Shakspearian,
lived among the learned and eminent, and founded the Blue Stocking Club.
Public-domain text, read in full here on John Shaqi.
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