Royalty in All Ages: The Amusements, Eccentricities, Accomplishments, Superstitions and Frolics of the Kings and Queens of EuropeThiselton-Dyer, T. F. (Thomas Firminger)
History
Royalty in All Ages: The Amusements, Eccentricities, Accomplishments, Superstitions and Frolics of the Kings and Queens of Europe
Thiselton-Dyer, T. F. (Thomas Firminger)
Europe -- Kings and rulers
Another automaton was that of the philosopher John Müller, and most
elaborate, consisting of an artificial eagle which flew to meet the
Emperor Maximilian when he arrived at Nuremberg on the 7th of June 1470.
After soaring aloft in the air, the eagle is stated to have met the
Emperor at some distance from the city, and to have returned and perched
upon the town gate, where it waited his approach. On the Emperor’s
arrival the eagle stretched out its wings, and saluted him by an
inclination of its body.
A piece of mechanism of an elaborate nature was made by M. Camus for the
special amusement of Louis XIV. when a child. It consisted of a small
coach, which was drawn by two horses, and contained the figure of a lady
within, with a footman and page behind. When this machine was placed at
the extremity of a table of the proper size, “the coachman smacked his
whip, and the horses instantly set off, moving their legs in a natural
manner, and drawing the coach after them. When the coach reached the
opposite edge of the table, it turned sharply at a right angle, and
proceeded along the adjacent edge. As soon as it arrived opposite the
place where the King sat it stopped, the page descended and opened the
coach door, the lady alighted, and with a curtsey presented a petition,
which she held in her hand, to the King. After waiting some time, she
again curtsied and re-entered the carriage. The page closed the door,
and having resumed his place behind, the coachman whipped his horses and
drove on. The footman, who had previously alighted, ran after the
carriage and jumped up behind into his former place.”[62]
Louis XIV. had an inordinate passion for jewels. His most costly
possession was the famous crown of Agrippina, a work of consummate art,
composed of eight tiers of immense brilliants in a transparent setting.
In his private cabinet Louis XIV. “had two immense pedestals of
rosewood, in the interior with shifting shelves, in which he kept the
most precious of the crown jewels, in order that he might examine and
admire them at his ease, an occupation in which he took great delight,
nor did he ever hear of a gem of price, either in Asia or Europe,
without making strenuous efforts to secure the prize.”
Public-domain text, read in full here on John Shaqi.
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