To show the infamy of the thing, I must here explain that at several social gatherings, in an effort which I still believe was praiseworthy, I had told an excellent wheeze which runs: “Have you heard the story of the three holes in the ground?” I mean to say, I would ask this in an interested manner, as if I were about to relate the anecdote, and upon being answered “No!” I would exclaim with mock seriousness, “Well! Well! Well!” This had gone rippingly almost quite every time I had favoured a company with it, hardly any one of my hearers failing to get the joke at a second telling. I mean to say, the three holes in the ground being three “Wells!” uttered in rapid succession. Of course if one doesn’t see it at once, or finds it a bit subtle, it’s quite silly to attempt to explain it, because logically there is no adequate explanation. It is merely a bit of nonsense, and that’s quite all to it. But these boors now fell upon it with their coarse humour, the fellow Hobbs pretending to get it all wrong by asking if they had heard the story about the three wells and the others replying: “No, tell us the hole thing,” which made utter nonsense of it, whereupon they all began to cry, “Well! well! well!” at each other until interrupted by a terrific noise in the wings, which was followed by the entrance of the supposed Cousin Egbert, a part enacted by the cab-driver who had conveyed us from the station the day of our arrival. Dragged on he was by the sheriff and two of the town constables, the latter being armed with fowling-pieces and the sheriff holding two large dogs in leash. The character himself was heavily manacled and madly rattled his chains, his face being disguised to resemble Cousin Egbert’s after the beard had been adjusted. “Here he is!” exclaimed the supposed sheriff; “the dogs ran him into the third hole left by the well-diggers, and we lured him out by making a noise like sour dough.” During this speech, I am told, the character snarled continuously and tried to bite his captors. At this the woman, who had so deplorably unsexed herself for the character of Mr. Belknap-Jackson as he had played Oswald, approached the prisoner and smartly drew forth a handful of his beard which she stuffed into a pipe and proceeded to smoke, after which they pretended that the play went on. But no more than a few speeches had been uttered when the supposed Cousin Egbert eluded his captors and, emitting a loud shriek of horror, leaped headlong through the window at the back of the stage, his disappearance being followed by the sounds of breaking glass as he was supposed to fall to the street below. “How lovely!” exclaimed the mimic Oswald. “Perhaps he has broken both his legs so he can’t run off any more,” at which the fellow Hobbs remarked in his affected tones: “That sort of thing would never do with us.”