Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready ReferenceHolt, Rosa Belle
History
Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready Reference
Holt, Rosa Belle
Rugs; Rugs, Oriental
_Centre portion of a carpet woven in wool, with a continuous pattern of
carnations, and a border of wavy floral design. In the diamond-shaped
panel of the centre are the Royal Arms and the letters E R (Elizabeth
Regina)._
OWNED BY THE RT. HON. THE EARL OF VERULAM.]
_The Morris Rug._ With strong, firm texture, fine vegetable dyes, and
with purely artistic designs, the Morris rug bears testimony to-day to
the honesty, perseverance, and skill of the man for whom it is named. He
himself testifies: "I am an artist or workman with a strong inclination
to exercise what capacities I may have--a determination to do nothing
shabby if I can help it." Decorative art in many branches is the richer
to-day for the influence of Mr. Morris, but it is his rug-making that
now claims attention. Mr. Bernhard Quaritch informs me in a letter dated
August 31, 1899, that Mr. Morris learned the art of making rugs from a
volume of the work entitled "Descriptions des Arts et Metiers." Mr.
Morris had his own loom, and not only wove rugs, but dyed the wool for
them himself, and instructed pupils, to whom his inspiration was a
power. Long and laboriously he worked to achieve the best results, using
vegetable dyes only, and he was finally successful. No dyer of the
Orient could have been more pleased than was he when his efforts
resulted in soft, glowing tints.
In design Mr. Morris excelled. He educated the popular taste by bringing
forth the beauties of the simpler forms of the floral and vegetable
world; he delighted especially in displaying the acanthus in varied
conventional forms. Every rug he designed bears witness to his
enthusiasm for harmony. Too æsthetic, some critics declare him to have
been; but no one can deny the importance of his creations, for England
needed to be awakened to a knowledge of her own inability to appreciate
artistic decoration of the home, especially by means of the productions
of the loom. It was this very fact, and his inability to procure
artistic furniture such as would satisfy his æsthetic taste, that
started Mr. Morris to create those fabrics which he desired.
FRENCH RUGS
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